Here at the frontier, the leaves fall like rain. Although my neighbors are all barbarians, and you, you are a thousand miles away, there are still two cups at my table.

Ten thousand flowers in spring, the moon in autumn, a cool breeze in summer, snow in winter. If your mind isn't clouded by unnecessary things, this is the best season of your life.

~ Wu-men ~

Saturday, November 21, 2020

Critical Review of 12 Features of Isshin Ryu Karate

Below is an excerpt from a post that appeared at the IsshinDo blog. It is a critical examination of 12 features of Isshinryu karate which serves to distinguish this style. The full post may be read here.

First, before I go into the twelve features of Isshinryu I would ask anyone who is an Isshinryu practitioner to provide me the "author" of these twelve features of Isshinryu. Can anyone provide the author's name? Can you validate it with at least two acceptable sources? I can tell you I can not provide any such information or documentation. 

It might actually be something written by Harold Long and it is believed that it is quoted in his book, "Isshinryu Karate - The Ultimate Fighting Art." I don't have a copy so I cannot confirm it is located there but depending on the year of publication vs. when it first came out in the Isshinryu community would help a bit determining the author. 

Read also "Isshinryu Statements of Fact - NOT [or maybe] where I say, "Some of these quotes are meant to be conveyed as the unique traits of the Isshinryu system and since I have found those traits to be less than accurate I can only say the only "original defining characteristics unique to Isshinryu" at its naming are the vertical fist, the thumb on top of the vertical fist, and the muscle forearm block. I would add that this is important that these particular features/traits, etc. were applicable in the late fifties but today are not exclusive to Isshinryu anymore because many have adopted this stuff." - ... ot-or.html

Lets take a look at the features as they stand at one site:

1. The elimination of “fancy” techniques.

I don't feel from my studies and views of the systems practiced at the time that any of them actually utilized complex techniques. We will assume that since the systems of the late fifties as taught to the military under limited time spans mostly taught strikes and kicks, etc. Only a few remained longer to gain any knowledge of grappling or vital point type training. In the Isshinryu communities I feel confident that most of the military came back with only a rudimentary knowledge and understanding of the system. This was the actual physical stuff, i.e. the upper and lower basics, kata and some predefined kumite drills. 

It is apparent from other systems such as Goju and Shorin, the two major systems Marines were exposed to in those days, that complexities were non-existent to them unless, and I mean maybe on this, they remained for extended tours or returned for additional tours. 

2. Combines the best of Shorin-Ryu and Goju-Ryu to form a realistic, basic system of self defense. 

No one can say this with any validity unless they can demonstrate with authority that these features came directly from Tatsuo-san. We can make some assumptions that Tatsuo-san took what he "perceived" as the techniques he desired from the two systems to form Isshinryu but we still cannot say they were the best, in a blanket statement. The best of anything is dependent on individual interpretations and perceptions. 

As to any combinations actually Shorin is the dominant system of influence with a lesser influence from goju. Just look at the kata of Isshinryu, i.e. two from goju and five from shorin and one in essence a creation for Isshinryu.

3. Kicks thrown below the waist (for power and balance hand techniques thrown above the waist. 

The original intent may be perceived that kicks were taught to strike below the waist but then again many photo's display higher kicks. I wonder sometimes if this comes from the matches or tournaments that flourished in the fifties, sixties and seventies. I can only state that when I took Isshinryu on Okinawan my Sensei actually taught and fostered the lower kicks and in-close strikes of the hands, etc. He also advocated very close in strategies, etc.

Now, as a feature to distinguish it from other systems on Okinawan I have observed the use of lower kicks and a tendency to rely heavily on hand techniques. Since it could be observed in other systems it might actually be a Okinawan empty hand feature and not be an exclusive Isshinryu feature. Observe Goju and Uechi ryu, many kicks are below the waist. 

I feel strongly that my studies would indicate that the lower kicks were the essence of all Okinawan empty hand martial arts. It can still be seen in kata of Goju, Shorin and Uechi, to name just three. Since those were the main stay of empty hand at the time it works for me. 

4. The use of short, natural stances, which allow better mobility, eliminate wasted motion along with major shifts in the body, and are more adaptable to the American physique

First, this is standard fundamental principles of martial systems. It is not something special indicative of a system like Isshinryu. It transcends any system, style or branch of martial arts. It is what makes it work, not something we spout out to indicate just how cool and effective our system is. It is what makes any martial arts work, effective and efficient. Mobility, economic movement, body mechanics and adaptability are indicative of everyone regardless of body type, etc. - a fundamental principal of all systems.

Second, I understand that the lower stances actually came about from the efforts of Funakoshi Sensei to gain acceptance in Japan for Okinawan Karate. It is also used as a means to teach stances and structures as well as build leg strength. Some how the transition to more natural stances at later levels of proficiency got lost and I suspect it may have been due to the sport orientation that took over the martial aspects of karate in the mid 1900's. 

5. A balance of hand and foot techniques in the Katas. (often said to have "equal" hand and foot techniques depending on the form presented)

Originally, the one I received, said equal instead of balanced. Both are inaccurate because there are more hand techniques than foot. Take a look sometime. Have several practitioners view the AJA video's and count the hand techniques. Then have different practitioners count the foot or leg techniques. You will find that the balance is not so balanced in the literal sense of the word. You will find this true of any martial arts system.

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