Here at the frontier, the leaves fall like rain. Although my neighbors are all barbarians, and you, you are a thousand miles away, there are still two cups at my table.


Ten thousand flowers in spring, the moon in autumn, a cool breeze in summer, snow in winter. If your mind isn't clouded by unnecessary things, this is the best season of your life.

~ Wu-men ~


Monday, April 24, 2023

Zen Priest Stick


Over at Ichijoji blog, there was an interesting article about the priest's staff of Nakahara Nantenbo, as well as some biography. The full post may be read here.


One of the distinctive sights of winter in Japan, and particularly in Kyoto, are the bright red berries of the nanten bush (Nandina). They are often planted just by the front door of houses and are used in the New Year decorations known as kadomatsu that can be seen outside businesses, department stores and some larger residences during the New Year period and sometimes as much as a couple of weeks after that.


My first encounter with nanten gave me a rather different impression - I had come across it years before I came to Japan in the book Zen and the Art of Calligraphy by Omori Sogen and Terayama Tanchu, now out of print but worth getting hold of if you’re interested in that kind of thing, in the form of the staff wielded by the Zen teacher who took his name from it – Nakahara Nantenbo (1839-1925). It's hard to believe, but information about that kind of thing was hard to get hold of in those days. The mental image of a fierce Zen practitioner and his nanten staff stayed with me, but it was only quite recently that I came across a picture of him and what might be his staff. I had imagined it would be something like the one in the picture below, but in fact that might not be the case.

He was known for his unstinting efforts to preserve and revitalize the Rinzai Zen tradition but is perhaps better known in the west for his calligraphy and Zen paintings. Like Yamaoka Tesshu, the swordsman, calligrapher and statesman, he produced huge numbers of works, although unlike Tesshu, he professed no skill in the art. He was similar to Tesshu, too, in the ferocity which he brought to his practice, regularly engaging in Dharma combat with other priests reportedly chasing the losers out of their temples. He and Tesshu had something of a rivalry, and though Tesshu may have practised under him, they were also reported to have taken part in Dharma battles with each other, with neither giving an inch.

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