Below is an excerpt from a blog post at Century Martial Arts. It contains a brief biography and many quotes from Dan Inosanto. The full post may be read here.
On
July 24, 1936, Dan Inosanto was born. As a 4th-grader, he received his
first exposure to the martial arts when his uncle taught him te [the Okinawan word for “hand.”]. In college, he studied judo, then dabbled in the Korean, Okinawan and Japanese striking arts.
“The exposure to the various schools in the beginning taught me
not to be one-sided, because everyone had his own philosophies and each
school seemed to have its good points and bad points. When I learned
from Bruce [Lee], we never classified whether a technique was from
taekwondo or boxing. If it was usable, we used it.”
—Dan Inosanto
While
he was stationed at Fort Campbell, Kentucky, Inosanto was impressed by a
kenpo brown belt he met. Specifically, he liked the fluid manner in
which the martial artist moved.
As soon as he was discharged, Inosanto
relocated to Southern California.
“In 1961, I started taking kenpo from Ed Parker at his Pasadena
school. At that time, kenpo reached my expectations of what I was
seeking in karate. I was looking for a self-defense and also a
body-conditioning sport. I became fascinated by the martial arts field
and how there could be so many different ways of fighting.”
—D.I.
At age 28, Inosanto received his 1st-degree black belt in kenpo after
three years under Parker. On his master’s suggestion, he began training
in the blade arts of kali and escrima. His teachers included John
Lacoste and Angel Cabales.
“There has always been a stigma that if you fight with a sword,
it’s a gentlemanly duel, but if you pull out a knife, it’s a dirty
fight. Now, we are pointing out that there is an art to this also.”
—D.I.
Inosanto met Bruce Lee in 1964 at the 1st International
Karate Championships in Long Beach, California, where Inosanto was
competing. The more he learned about Lee’s fighting philosophy, the more
he longed to study under him. But Lee was a man on the go, with one
foot in the East and one in the West. So, Inosanto spent his time
learning various arts in Southern California. He quickly discovered that
what he was doing was a far cry from what Lee advocated for
self-defense.
“It
wasn’t until I started learning jeet kune do under Bruce [that] I found
a style that used all three important aspects of fighting (speed, power
and deceptiveness). Bruce was able to take all the pieces of the puzzle
and make them fit together in an integrated system.
“Bruce took something from everybody. He liked Muhammad Ali’s
footwork and admired his outside fighting. He liked [Rocky] Marciano’s
short punches. He used to study all the knockout punches of Joe Louis.
“It’s not that he embraced Western boxing completely. He felt
there were many flaws in boxing, too. But he also felt that out of all
the arts in the hand range, boxing had more truth than, let’s say,
karate. Not that karate was all flaws — he saw the truth in karate, too.
Boxing, he felt, was over-daring, whereas he found karate to be
overprotective.”
—D.I.
And, most importantly, Dan Inosanto, martial arts philosopher, was born.
“A man doesn’t excel because of his style. It’s only when a man
can go outside the bounds set by his system that he excels. If a martial
artist can practice a style without being bound and limited to his
particular school, then and only then can he be liberated to fit in with
any type of opponent.”
—D.I.
While studying under Lee at the Los Angeles JKD school, the path Inosanto walked didn’t get any easier in terms of philosophy.
“By that time, I had stumbled across many partial truths, and I
had become more aware of workable and unworkable techniques. Being a
die-hard kenpo man, I found myself confused and frustrated. I began to
actually rebel against jeet kune do. I was bound by loyalty to my former
instructor and his style.
“Looking back on it, I really didn’t want to see the truth in
self-defense. I began to mentally criticize the informal and unstylized
way JKD moved, kicked, punched and trained. Yet, I found myself using
what I had learned and liking it better than kenpo, finding it more
functional, powerful, faster, freer and, above all, the easiest style to
express.”
—D.I.
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