Thursday, June 26, 2008

The 36 Strategies: #27, Be Wise But Play the Fool


Next the The Art of War by Sun Tzu, the 36 Strategies in the mostly widely known collection of strategic thought. The 36 Strategies seeks to impart the art of strategic thinking through 36 maxims. Even if you are not now planning on seeking world domination, it pays to learn about strategic thinking so that you are aware and can take steps when someone is attempting to apply a strategy against you.

#27 is Be Wise, but Play the Fool. In short, appear less than you are so that your opponents underestimate you. If your opponents don’t take you seriously, you have great freedom to act.

In literature, the most widely known example of this strategy can be found in Shakespeare's Hamlet. On the death of his father, Prince Hamlet exaggerated the extent of his mourning to the point of feigning madness in order to throw off his enemies. First, this was a strategy of survival, as he wasn’t quite sure who was indeed his enemy and who was not. Secondly, this provided him a cover under which he plotted taking action on his own.

In history, the most widely known example may be the story of The 47 Ronin. The retainers of Lord Asano, who had been wrongfully forced to commit suicide scattered all over Japan apparently leading lives of dissipation in order to lull the object of their hatred, Lord Kira, into complacency. They gave up their families and homes. After some years passed, Lord Kira came to believe that the former retainers of Asano no longer represented a danger to him.

It was then on a snowy winter night, that the 47 followers of Lord Asano gathered to extract their revenge.

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Tuesday, February 26, 2008

The New Smithsonian Magazine


Having just finished shoveling the snow, AGAIN, the first thing I do when I come in is of course to take a look at the new Smithsonian Magazine. If you click on the title of this post, you'll be directed to the online version of the March 2003 issue.

This is a particularly good one. There is an article on how China is sprucing up The Forbidden City in advance of the Olympics. There is also an article on Japanese Hot Springs.

Unfortunately, the Smithsonian does a very good job of locking down their photos. It seems to me there are a lot more in the print magazine than the online one too. Below is an excerpt from the article on the Forbidden City. Enjoy.

- The Snow Shoveling Daoist

Forbidden No More

As Beijing gets ready to hosts its first Olympics, a veteran journalist returns to its once-restricted palace complex

  • By Paul Raffaele
  • Smithsonian magazine, February 2008

I had expected to feel awe as I approached the Meridian Gate guarding what most Chinese call the Great Within—Beijing's Forbidden City—but I'm surprised to feel apprehension, too. After all, it's been a while since the emperors who ruled from behind these formidable walls casually snuffed out lesser lives by the thousands. From 1421 to 1912, this was the world's most magnificent command center—a reputed 9,999 rooms filled with nearly a million art treasures spread over 178 walled and moated acres.

Had I accompanied the Italian Jesuit Matteo Ricci, the first Westerner to visit the Forbidden City, in 1601, I would have seen these pavilions, courtyards and alleyways bustling with courtiers: concubines clad in silk, gold and jade; eunuchs serving as cooks, cleaners, clerks, compilers and companions; and the emperor's hard-eyed troopers bearing curved swords. But when I first visited, in 1973, not a single human voice sullied the silence, though the cawing of crows sounded like warnings and I thought the breeze playing about my ears could be the whispers of emperors past. I spent that first day 35 years ago treading the ancient clay bricks and marveling at the long procession of scarlet pavilions. Most were locked, and there were no guides to tell me their secrets. Mao Zedong was then putting China through his Cultural Revolution, and he had virtually closed the entire nation to outsiders. He had also sent the intellectuals—including, I assumed, the Forbidden City's guides—out to the countryside to toil with peasants in order to clean the dung from their overintellectualized brains.

I fell in love with the Forbidden City that long-ago day, and over the next 18 months visited it often. Back then, I was frustrated by how much of it was off-limits. But when I returned recently for three weeks of indulgent exploration, its formerly hidden glories.

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Saturday, January 26, 2008

"The road gods beckoned"


There did we begin
Cloistered in that waterfall
Our summer discipline
- Basho

In this month's National Geogaphic Magazine, there is an article on the hiking trip the Japanese Poet Basho took in 1689. If you click on the title of this post, you'll be directed to that article. The photographs are simply breath taking.

I posted about Basho's trip in August of 2005, and included a link to an online version of Basho's journal. Please visit the archives. The post was entitled "Speaking of Hiking an Ancient Trail."

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Tuesday, January 22, 2008

Jon Bluming: Karate and Judo Giant


I have become aware that a lot of recent visitors to Cook Ding's Kitchen are from the Netherlands. Welcome! They have mainly been finding their way into the kitchen via a Dutch blog at: http://tai-chi-weblog.blogspot.com

In honor of my new Dutch friends, I decided to post a short biography of one of the true giants in modern martial arts history, Jon Bluming. Mr. Bluming is one of the highest legitimately ranked individuals in both Kyosushin Karate and Judo. The biography is from Wikipedia. If you click on the title of this post, you'll be directed to the original article where you'll find some useful links if you'd like to learn more. Enjoy.


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Jon Bluming (born February 6, 1933) is a Dutch international icon as an instructor of Judo, Kyokushin Karate, and MMA.

Born in Amsterdam, he was 16 when he applied for the Marines and was accepted to the bootcamp in Doorn in July 1949. Just one year later, in the summer of 1950, the Korean War started, and he applied as a volunteer in the van Heutz regiment. When he was wounded, he was transported to a Japanese hospital in Tokyo. There he saw Judo for the first time when he visited the Kodokan in March of 1951. When he saw a demonstration by an elderly man, he knew that this martial art would change his life for good.


Martial arts career

Back in Holland in November, 1953, he came upon the Tung Jen Judo Club, an accident which would change his life. His teacher, Dr. Schutte (then 4th dan Tokyo Hirano), gave him his first dan after only 12 months. In 1955, he received his second dan, and in 1956 he was the first Dutchman to become a Kodokan member, promoted by Ichiro Abe, then 6th dan in La Baulle France; he was then captain of the Tung Jen team, winning the European championships in Bellevue, Amsterdam in September 1956. In 1957, he received his third dan from Tokyo Hirano at a Dutch summer camp when he threw 75 judoka from 4th kyu up to 4th dan in 26 minutes even though he had broken the big toe of his right foot.

Then he broke his right knee and went into surgery. In 1957, he was invited to train a police dojo in Berlin, Germany and a private judo club for several months. The money he earned there was invested to go to Canada. He went to the Canadian embassy, threw his medals on the table, and asked for a chance to go to Canada. His wish was fulfilled, and in January 1958 he arrived in Halifax, Nova Scotia, Canada. He was hosted by an old friend and introduced the next day to Dalhousie University. There he started his career as a professional budo teacher; he gave lessons for two dollars an hour. He also founded the Maritimes Judo Association and became a lifetime honorary member.

Back in Tokyo, he started under the guidance of Donn F. Draeger. Weight training for judo and karate allowed him to finally achieve the desired transformation to heavyweight at a solid 102 kg from his previous 79 kg. Nobody could stop him anymore because he also kept his middleweight speed during which Dreager taught him.

In May 1960, he defeated the Japanese champion Kaminaga with a strangulation hold, which knocked him out cold. During the Olympic training summer of 1960, he finally threw Isao Inokuma, his very close friend and training partner, after an hour-long fight with Uchi mata makikomi. He also received his 4th dan from Kodokan in competition. In April of 1959, Dreager asked him to go with him to the police dojo and train under the famous 10th dan Shimizu and Kuroda in bōjutsu, kendo, and iaijutsu. During the all-Japan police championships (Kendo), they were asked to give a demonstration of bojitsu and earned a standing ovation and a third dan in both disciplines from the Japan Kendo federation. Bluming did another examination for Ichitaro Kuroda in iaijutsu and got his third dan from the JKF.

In 1961, Bluming was invited to make a gonin gake (a match against 5 third dans) instead of Inokuma who was in hospital with a bad back injury. Dreager said to him, “Do it, that’s good for your name,” and it was. He won in less than 4 seconds in each match.

[edit] Back to Holland

Bluming received a letter from Holland in which Opa Schutte asked him to come back and teach at the old dojo and the Amateurs Association for a year on contract. Bluming, who by then had a reputation in Japan and was unbeaten in Judo and Karate, went back to teach his old friends, make some new ones, and participate in the world championships in Paris (Dec 1961). It went very differently than planned.

Bluming became coach of the Dutch Amateur Judo Association. He made his name throughout Holland and Europe solely because of his fight against the Judo Union of Anton Geesink, who told tales to the press about Bluming but refused several times to meet Bluming on the tatami. Bluming, under false accusations, was not allowed to participate in the Paris competitions. The press was amazed, especially when Bluming was introduced to the black belts of the NAJA as the new coach in the first week of December 1961 in Bloemendaal. He made a match against all comers, some 80 judoka from 1st dan to 4th dan, and threw them all within about four seconds in full view of the press.

Reporters wrote the next day that Holland would be first and second in Paris and that Bluming must be allowed to fight. This did not help, and Bluming watched the victory of Anton Geesink in Paris. It made him so miserable that he stopped competing and focused only on teaching instead.

In his career as a teacher he has coached several champions, such as:

    • Chris Dolman (four-time world champion),
    • Willem Ruska (double Olympic champion in 1972)
    • Ottie Roethof (world champion in soft style karate and the team world champion, three times world champ judo),
    • Semmy Schilt (at the top in K-1 and free fight winner three times in the daido juku and three time King of Pancrase),
    • The students of his students like Jan Plas (who fought well against Ernesto Hoost and Peter Aerts), Peter Adelaar and Jan Kallenbach.

Bluming traveled throughout Europe and founded the European Kyokushin kai kan. The first karate union in Europe was founded by Bluming in January of 1962. The first-ever karate championships were held in Krasnapolsky Hotel Amsterdam in 1965. The first international match was held against the team of Steve Arneil (a student of Oyama and Bluming in 1967) and was won by the Budokai dojo.

[edit] Kyokushin Kai Karate

On January 15, 1965, Bluming was the first foreigner awarded the 6th dan in Kyokushin karate from the Kyokushinkaikan Honbu by Mas Oyama. The karate world, which was not big in those days, was shocked. Oyama put a classical samurai end to that spectacle and told the karate world that they could fight Bluming man-to-man without any rules in a boxing ring. The one who could beat Bluming that way would win $100,000 from Oyama, who would stop karate and take away Bluming's 6th dan.

In the period after this, Bluming delivered a lot of teachers who sometimes went their own way. One example is Loek Hollander, who was at odds with Bluming. The animosity reached such a level in Japan and Europe that the Japanese organization eventually sided with Loek Hollander. The Dutch Karate Organisation (NKA), an initiative of Bluming, grew larger under Hollander and split in the 1980s when several teachers left Hollander due to "irreconcilable differences".

In January 1989, Bluming received his 9th dan in Kyokushin karate from Japan. The same year, he also got his 9th dan in Judo from Japan; he was the only one in the world who had both of the highest grades in martial arts from the Japanese organisations. In November 1989, he received a visit from Akira Maeda, 8th dan of the Budokai. He told Bluming that Mas Oyama had sent him to talk to Bluming and that he wanted Bluming back in the Honbu and to make him President of the World Karate Kyokushinkai-kan. He wanted Bluming to teach the karateka of the Honbu who were keen on fighting professionally in all-round karate, especially in the fight organisation “RINGS JAPAN“, of which Maeda was then President. Bluming said that he would do so only if Loek Hollander was out of the Honbu. Maeda said that Mas Oyama was aware of the problems but for several reasons could not agree with that.[citation needed]

In April 1994, Bluming received word that Mas Oyama had died suddenly. Devastated, he went to Tokyo to pay his respect and say sayonara to his teacher. On September 4, he received a fax from Kenji Kurosaki that he was awarded with the grade of his teacher Mas Oyama and received his 10th dan signed by 5 big organisation of Budo in Japan. He was the first 6th dan in Honbu.



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Monday, December 17, 2007

Shogun


One of my favorite books is the novel by James Clavelle. It is set in the 1600's in pre-Tokugawa Japan. Much of the story revolves around the historical incident of an Englishman and his shipmates being washed ashore.

There was a lot going on in Japan at that time and the addition of the foreigners (at least in the novel) only stirred the pot. If you click on the title of this post, you'll be directed to the page on http://www.answers.com on the novel Shogun.

If you go here: you'll find a scholarly (and long) paper on Shogun.

http://www.columbia.edu/~hds2/learning/

Finally, here is a link to the book on Amazon:

http://www.amazon.com/Shogun-James-Clavell/dp/0340839945/ref=pd_bbs_1?ie=UTF8&s=books&qid=1197928328&sr=1-1

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Friday, August 31, 2007

The Last Swordsman


The following on excerpts from a long and fascinating article that appeared in the Aikido Journal about Yoshio Sugino, a famous 20th century Japanese martial artist. He knew everybody and did everything. An excerpt can't do the article justice. Click on the title of this post, and you'll be directed there to read the whole thing.

Yoshio Sugino, swordsman of Tenshin Shoden Katori Shinto-ryu, is respected worldwide as one of the elder statesmen in the world of Japanese kobujutsu (classical martial arts). Born in 1904, his life has paralleled much of the development of modern Japan, and during that time he has been fortunate enough to know and study under many of this century’s legendary martial artists.

He has also provided martial arts instruction for many of Japan’s most popular historical movies, including Akira Kurosawa’s The Seven Samurai, adding dynamism and reality to what had been staid and poorly stylized fight-scene choreography. He has also appeared frequently in the media as a representative of the world of Japanese kobujutsu. In such ways he has contributed much toward introducing the truly wonderful aspects of Japanese martial arts to the public. But despite Sugino’s tremendous service to the budo world, information on him has been limited to fragmented interviews and popular articles that do little toward painting a realistic portrait of the man himself, his origins and his history. In this series I look back on Sugino Sensei’s life and the paths he has taken, along the way presenting some of the thoughts on bujutsu he has developed during his 92 years.

Sugino was born in 1904, a year considered by classical Japanese astrology to engender good luck to those born in it. A look at a few of the details of his budo career will confirm that phenomenal good fortune has indeed been his throughout his journey. Doctors saved his arm. He got through the war without being called up. despite top examination results. Throughout a long career he has enjoyed close contact with many of the most prominent, most talented martial artists of our century, Jigoro Kano and Morihei Ueshiba among them, and he has managed to lead one of the fullest lives a martial artist could ever ask for. Of course, Sugino has had to overcome his share of hardship as well, but bujutsu has supported him through all such difficulties, serving him well as the core of his physical and spiritual being. These days he is regarded as one of the precious remaining living witnesses to the world of Japanese kobujutsu and is loved and respected as a teacher. And, despite his advanced age and long years of experience, behind his penetrating glare remains the same impish grin that as a youngster earned him a reputation as “that little rascal!” and that nowadays simply enchants and fascinates.

The boy grew up to have a good deal of fortitude and always kept a stiff upper lip, then, as now, quite imperturbable. Initiation into bujutsu Sugino first encountered the martial arts after entering Keio University in 1918, where he was enrolled in the Department of Commerce and Industry. Standing only 159 centimeters and weighing a slight 56 kilograms, what he lacked in build he has always made up for in energy. He threw himself diligently into many club activities including, of course, those related to martial arts. “I was in just about every club there was,” he recalls, “judo, kendo, kyudo, sumo and quite a few others. I’d join just about anything I was asked to.” (Students in most Japanese schools are required to take part in at least one club meeting per week and may join others if they wish. Such clubs are a significant part of Japanese school life in all grades.) He was particularly active in the boating club and in some clubs that would be inconceivable in Japan today, such as the pistol club. “I remember shooting at a pigeon in the school yard, but I missed,” he says. Unlike modern Japan with its strict gun control laws, back then, it seems, there was more freedom to own a pistol. Sugino remembers his university days fondly. He describes walking with a friend through the fashionable Ginza district, the atmosphere there alive with the cheerful optimism and freedom of Taisho-era democracy, the two of them swaggering through the crowd, surveying the scene with the confident delight and natural curiosity of youth.

Once there was a judo tournament between Keio University and the four-school alliance comprised of Kuramae Engineering University, Tokyo University of Agriculture, Rissho University and Tokyo University of Fisheries. The Keio team being short on members, Iizuka arranged for Sugino to participate despite the fact that he was still only a first kyu. His opponents were all huge black-belts. But Sugino stepped onto the mat wearing his brown belt and threw his way through six of them, with the seventh match ending in a draw. Afterward his teammates crowded around him congratulating him: “You’re so small, but you fought so well in there! Even Iizuka Sensei thought so.” He came away from the tournament with unprecedented new confidence.

At the end of that same year Sugino took his shodan exam at the Kodokan on Iizuka’s recommendation. This time he defeated six opponents in a row, earning for himself the rank of “shodan with honors”, a rank which existed at that time and indicated performance above and beyond that required for an ordinary shodan. From then until earning his 4th dan, Sugino remained undefeated. Even in elimination-type series he would inevitably wind up first or at least in a draw with the last opponent.

His friend Minoru Mochizuki (present head of the Yoseikan) once commented about his judo skills: “Sugino? That guy has the kami [divine] in him!” One of Sugino’s favorite judo techniques was utsurigoshi (hip shift), a somewhat acrobatic technique in which the opponent’s throwing power is taken advantage of to throw him instead. He was also fond of urawaza (rear techniques) and kaeshiwaza (reversals) and always exploited openings left by opponents who carelessly underestimated him because of his small size. But more than anything he had the confidence that his teacher Iizuka had planted in him.

Sugino continued training in judo rigorously, day after day, constantly thinking of ways to strengthen himself and his technique. Being of a highly assertive disposition to begin with, he never hesitated to express his own opinions, even to his superiors. He once even argued with Jigoro Kano regarding a point of judo technique. Kano said that koshiguruma (hip wheel) and ogoshi (large hip throw) were the same technique. Sugino insisted they were different; for koshiguruma, he said, you load your opponent on your hips, whereas for ogoshi you do not. It was practically unheard of and highly irregular for a judo practitioner to argue about such things with the very founder of the art! But Sugino was of a strongly progressive spirit and never allowed himself to be bound by tradition or authority. Even then, though still relatively young, he was already searching for an answer to the question, “What should modern judo really be like?”

Encountering Katori Shinto-ryu on September 15, 1927, while still just 22 years old, Sugino opened his own dojo (including a bone-setting clinic) in the city of Kawasaki, where he has based most of his activities ever since. Some time after earning his 4th dan in judo, Jigoro Kano told him that he should consider pursuing some sort of kobujutsu in addition to his judo training. Judo alone was not enough, Kano said, and one could not consider oneself a complete martial artist without studying the sword. The classical tradition to which he introduced Sugino was Tenshin Shoden Katori Shinto-ryu.


Katori Shinto-ryu, founded by Iizasa Choisai Ienao (Iga no Kami), had been handed down through the generations for over 500 years in the Katori area of Shimousa (now Chiba Prefecture). Considered one of the fountainheads of Japanese martial tradition, Katori Shinto-ryu had never been taught outside the Chiba region. Kano, however, asked whether some arrangement could be made to have the style taught in Tokyo as well. This caused a great stir within the school and it was discussed at length whether or not the request should be accommodated. Eventually it was decided that, as the tradition was in danger of falling into obscurity, it should be actively disseminated in Tokyo to prevent this.

The school dispatched four shihan: Narimichi Tamai, Sozaemon Kuboki, Tanekichi Ito, and Ichizo Shiinato to teach the style at the Kodokan. It was arranged that these four should also stop in Kawasaki on their way home, training with Sugino there on Sunday afternoons and Monday mornings. Although Sugino had practiced with a shinai during his university kendo days, it was his first experience of wielding an actual sword. It was not long, however, before he had become completely engrossed in the new style of training. Katori Shinto-ryu kata tend to be longer and involve more movements than those of other classical traditions. When practicing the sword, for example, uchidachi and shidachi attack and defend back and forth in long, dynamic sets involving a whole spectrum of diverse techniques, each swordsman identifying and attacking openings in the opponent’s defenses. In this respect, Katori Shinto-ryu is somewhat distinctive among kobujutsu styles, many of which typically emphasize simpler, less elaborate movements.

When he was 24, Sugino learned Yoshin koryu jujutsu from a well-known teacher. Around 1937 or 1938 he was that teacher’s partner in a demonstration of held in the imperial palace. There, he also demonstrated Katori Shinto-ryu with his teacher Ichizo Shiina. This budo demonstration was sponsored by the Society for the Promotion of Classical Japanese Martial Arts, an organization established a few years earlier in 1935 at the initiative of the Minister of Justice, himself a high-ranking kyudo (archery) teacher, and with the cooperation of members of the House of Councilors. Along with his teachers, Sugino had joined the new organization as a representative of the Katori Shinto-ryu. In April of the same year, the Society marked its establishment with a budo demonstration held at the Hibiya Public Hall and from then until the end of the war in 1945 it sponsored “dedication” demonstrations of classical martial arts (kobudo) at the most important Shinto shrines around Japan. Sugino participated in many of these. Sugino continued his study of Yoshin koryu jujutsu until he had reached the kyoshi level (a rank between renshi and hanshi). In judo, however, he took no further rank, despite several recommendations for promotion. “Kodokan judo had become a sport,” he says, “and I was not interested in that.”

Sugino first met Morihei Ueshiba around 1931 or 1932, at the newly built Wakamatsu-cho dojo in Shinjuku. He was introduced to the founder of aikido through an acquaintance, which was the usual — and more or less essential — means in those days when it was difficult to even observe an aikido training without an introduction from a reputable individual. At the time Morihei Ueshiba was nearly 50 years old and already a well-known figure in the martial arts world.

Sugino recalls that upon their first meeting he was surprised to find before his eyes a smallish yet extremely robust man with a broad smile spanning his face. He wondered if this could really be the Ueshiba he had heard so much about. Some two years earlier, judo founder Jigoro Kano had paid a visit to the Ueshiba dojo, accompanied by some of his students, including renowned “judo genius” Nagaoka. Watching the training, Kano is said to have remarked in admiration, “Now that is true judo!” Nagaoka was apparently taken aback and upset by this unexpected comment and challenged his teacher by asking impulsively: “Then the judo we are practicing is not real? Is what we do at the Kodokan nothing but a lie?” Kano explained that he had not intended to imply such a thing and that he had simply meant that aikido was judo in a broad sense. He continued to praise Ueshiba and later asked him to teach some of his own students, including Minoru Mochizuki, who, in addition to having an earnest personality similar to Sugino’s, had also practiced Katori Shinto-ryu.

In 1935 Sugino received a teaching license from Ueshiba and after the war Sugino’s dojo became the second Aikikai branch dojo in Japan. Ueshiba’s son Kisshomaru (the present Doshu) and occasionally Ueshiba himself would go there once a month to teach. Ueshiba even asked Sugino if he would consider devoting himself professionally to aikido, but after considering his family responsibilities, Sugino reluctantly gave up the idea. Still, the close relationship between the Sugino dojo and aikido continued even after Ueshiba’s death and even today Sugino’s students are known to do skillful aikido demonstrations.

While Sugino had been somewhat surprised by Ueshiba’s smallish stature, he had still been impressed by his powerful build, but the martial arts master he encountered at an Asahi News-sponsored demonstration in Osaka in 1942 was altogether different. Sugino was watching the other demonstrators as he waited his turn to take the floor. A small man standing less than 150 centimeters stepped into the demonstration area. He seemed so frail and small as to have little more strength than a child. But his gaze! … His eyes swept the crowd with a piercing glare. Sokaku Takeda.

The elderly Sokaku stood squarely in the center of the floor, glaring fiercely like one of those statues of fierce-looking, muscular guardian deities that flanking the gates of many Japanese temples. Scowling at him from across the way were his opponents, a group of powerfully built Kodokan judoka. After a hasty introduction, Sokaku began his demonstration. One of the judoka stepped forward and suddenly launched a full-power right-handed chop directed at Sokaku’s head. Sokaku met the blow with his left hand and shifted his body. He grasped the judoka’s right hand and threw him down. “Well now! How about that?!” he shouted.

The next man moved in with another furious strike to Sokaku’s brow. This time Sokaku met the attack with his right hand, shifting and opening his posture again, seizing the attacker’s arm and pinning him easily on his back — on top of the first attacker! “Next! Come on, quickly, quickly!” The remaining judoka rushed in with similar attacks. Shifting this way and that, Sokaku avoided their strikes and put them down one by one, eventually heaping them into a pile resembling a giant cushion. All wore pained expressions as they tried to wriggle free, but Sokaku pinned them completely by holding their tangled arms lightly in a bundle with one hand.

Sugino felt a shiver up his spine — part in awe, part fear — as he watched the elderly Sokaku calmly twist his robust, high-spirited young opponents on to the ground and pin them almost effortlessly. Sokaku’s techniques clearly had nothing to do with physical power. They were, Sugino recognized, high-level applications of certain important principles and represented nothing less than the quintessence of Japanese martial arts.

By that time, Sokaku Takeda had long been a well-known figure in the Japanese martial arts world and his techniques echoed among the martial artists of the day. Sugino knew of him, of course, particularly as the Daito-ryu teacher of Morihei Ueshiba. While he never actually spoke with Sokaku directly and had seen Sokaku demonstrate on this one occasion alone, the diminutive Daito-ryu master left a vivid impression on Sugino that has remained to this day, an impression that is strangely two-fold: While he has only the highest regard for the level and quality of Sokaku’s aiki techniques, he frankly admits that he found his attitude somewhat poor, particularly in the way he would shower his opponents with taunts and jeers during his demonstration: “Well, look what happened to you!…. Hey you, get up off the ground, hey?! ” And while he immobilized them with a pin from which they struggled to free themselves, he would slap them on the buttocks and say, “What a wimp, you call yourself a man?!”

By the early 1950s Sugino was busy teaching at a number of schools in addition to his own dojo. One day a message arrived from the Society for the Promotion of Classical Japanese Martial Arts informing him that film director Akira Kurosawa would be making a new samurai drama and hoped Sugino would instruct the actors. The title of the film was to be the Seven Samurai.

Kurosawa asked Sugino to instruct the actors in techniques that were as authentic as possible from a martial arts perspective. Fight choreography in such dramas had previously been influenced by the largely decorative style of the kabuki theater, but in making Seven Samurai, Kurosawa intended to address the question, “What should a sword fight really look like on film?”

He had already begun exploring this question in one of his earlier films, Rashomon, notably in the fierce confrontation between the bandit played by Toshiro Mifune and the traveller played by Masayuki Mori. This scene featured some of the ugliest fighting the genre had ever seen, as Kurosawa sought a new filmic language that included combatants trembling violently with fear and leaping back in terror whenever their swords came even slightly in contact. It was an unusual piece of work for the period but earned high acclaim from critics and audiences around the world as the first realistic-looking sword battle ever to emerge from the Japanese cinema.

Sugino, too, was interested in pursuing authenticity. Assisted by his student Sumie Ishibashi, he demonstrated the sword and iai of Katori Shinto-ryu in a way that gave both Kurosawa and his cast a strong sense of what bujutsu was about. Something that caught Kurosawa’s attention was Sugino’s solid, well-balanced personal deportment, and he ordered the actors to emulate this as best they could including the way he walked, the way he kneeled down and any other aspects of his everyday manner they might notice. Kurosawa saw that there was a significant difference in stability between ordinary people and the samurai of old who spent their days with heavy swords at their waists.


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Friday, August 10, 2007

Notable Dao De Jing Translation


Maybe it's the baby duck syndrome, but the first translation of the Dao De Jing that I was exposed to when I was a teenager, has always been my favorite. It's the translation by Gia Fu Feng, illustrated by photographs by Jane English. It can be found here:

http://www.amazon.com/Tao-Ching-25th-Anniversary-Lao-Tsu/dp/0679776192/ref=sr_1_1/103-1104095-2784624?ie=UTF8&s=books&qid=1186777149&sr=8-1

While looking something else up, I stumbled across a reference to the book, and decided to look up Gia Fu Feng and Jane English. They were a married couple. She provided the photographs, and he provided the translations.

There's a pretty lengthy article about Gia Fu Feng. He was quite an interesting guy, who was right in the thick of it, brining the East to the West in the 60's and 70's. You can find it by clicking on the title of this post. The calligraphy at the top of this article was done by him.

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Friday, March 16, 2007

Duelling


Below is an excerpt from a book review in The New Yorker. If you click on the title of this post, you'll be directed to the full review.

The book reviewed, The Last Duel: A True Story of Death and Honour, by James Landale, is at Amazon right here - http://www.amazon.com/Last-Duel-Story-Death-Honour/dp/1841958255/ref=sr_1_1/103-5124776-5315020?ie=UTF8&s=books&qid=1174047881&sr=1-1

Other books you might find of interest are The Secret History of the Sword, by J. Christoph Amberger - http://www.amazon.com/Secret-History-Sword-Christopher-Amberger/dp/1892515040/ref=pd_bbs_sr_1/103-5124776-5315020?ie=UTF8&s=books&qid=1174048021&sr=1-1 and

By the Sword, by Richard Cohen - http://www.amazon.com/Sword-Gladiators-Musketeers-Swashbucklers-Paperbacks/dp/0812969669/ref=pd_sim_b_2/103-5124776-5315020?ie=UTF8&qid=1174048021&sr=1-1

En Garde!
The history of duelling.
by Arthur Krystal March 12, 2007

Duelling codes, though intended to curb violence, may only have ritualized it.

On the night of June 10, 1804, Alexander Hamilton seated himself at his desk in his home in upper Manhattan to finish a letter explaining why the following morning would find him in Weehawken, New Jersey, pointing a flintlock pistol at Vice-President Aaron Burr. He began by listing five moral, religious, and practical objections to duelling, but ruefully concluded, seven paragraphs later, that “what men of the world denominate honor” made it impossible for him to “decline the call.” Burr had placed him in an untenable position. If Hamilton ignored the challenge, Burr would “post” him—that is, publish his refusal in the newspapers—and his political career would effectively be ruined. The next morning, Hamilton had himself rowed across the Hudson.
“If we were truly brave, we should not accept a challenge; but we are all cowards,” a friend of Hamilton’s said after his death. He was thinking not only of Hamilton but of all men in public life whose reputations were at the mercy of political rivals and incendiary journalism. As Joanne B. Freeman makes plain in “Affairs of Honor” (2001), Hamilton and Burr belonged to a class for whom no public offense could go unchallenged even if one felt no personal outrage. Hamilton, too, had issued challenges and seconded other men—one way or another, he had been involved in more than ten “affairs of honor”—while Burr had been party to three duels, including one where he actually took the field. Neither of them was an exception among the Founding Fathers.
Button Gwinnet, a signer of the Declaration of Independence, died of wounds received in a duel; and James Monroe refrained from challenging John Adams only because Adams was President at the time. Some years later, Andrew Jackson and Henry Clay took part in duels, and even the young Abraham Lincoln came very close to a sword fight with James Shields, a fellow-Illinoisan who eventually became a Union general.
Duelling is an anachronism, of course. This is true because it may still crop up. In 1954, Ernest Hemingway was challenged to a duel in Cuba, but declined. In 1967, two French politicians literally crossed swords in Neuilly. And four years ago a Peruvian legislator challenged his nation’s Vice-President to meet him on a beach near Lima. No one anticipates such shenanigans at Buckingham Palace, but the Queen, as it happens, still retains an official champion who stands ready to challenge anyone who disputes her sovereignty.
This rather daunting fact turns up in James Landale’s “The Last Duel: A True Story of Death and Honor” (Canongate; $24). Landale, a correspondent for the BBC, is descended from one of the two men who fought the last recorded fatal duel on Scottish soil. Relying on a trial transcript, newspaper accounts, bank documents, and the correspondence of the duellists, Landale elegantly reconstructs the circumstances that forced his ancestor David Landale, at the mature age of thirty-nine, to challenge his former banker, George Morgan. David Landale, a linen merchant from the coastal town of Kirkcaldy, just north of Edinburgh, was, if anything, more reluctant than Hamilton to pick up a pistol; he didn’t even own one. But the code of honor extended to wherever men conducted business, and honor dictated that Landale challenge Morgan. The two met in a field on the morning of August 23, 1826; only one left the spot alive.

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Monday, January 29, 2007

China History Forum


I pointed out a website dealing with Japanese history below, and now I'd like to point one out dealing with the history of China.


The China History Forum is outstanding. It's HUGE. I only wish I had the time and intellectual bandwidth to explore it in depth. There is a wealth of very knowledgable people posting on every conceivable topic on the history of China.


It is very high quality and well worth visiting. You can reach the China History Forum by clicking on the title of this post, or by following the link over at the right.

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Saturday, January 20, 2007

Japanese Medieval History


If you have any interest at all in the history of Japan during it's middle ages, then you have to pay a visit to this website - Sen goku Daimyo. The author is a professor of Japanese language and history, and is an active member of the Society of Creative Anachronisms (SCA). His website is a treasure trove.


You can visit him by finding the link over at the right, or by click on the title of this post.


Enjoy.

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Wednesday, January 03, 2007

Did Weather Destroy the Tang Dynasty?


Below is an excerpt from an article at Breitbart.com describing how climate changes might have caused the Tang Dynasty to reach an untimely end. If you click on the title of this post, you'll be directed to the article online.



Climate shift helped destroy China's Tang dynasty: scientists

Jan 03 2:25 PM US/Eastern

The Tang dynasty, seen by many historians as a glittering peak in China's history, was brought to its knees by shifts in the monsoon cycle, according to a study.

Famed for a flowering of art and literature and for prosperity brought by trade with India and the Middle East, the dynasty spanned nearly three centuries, from AD 618 to 907, before it was overwhelmed by revolt.

Scientists led by Gerald Haug of the Geoforschungszentrum (GFZ) in Potsdam, eastern Germany, looked at sedimentary cores taken from a lake at Zhanjiang in coastal southeastern China, opposite the tropical island of Hainan.

The magnetic properties and content of titanium in these deposits are an indicator of the strength of the winter cycle in the East Asian monsoon system, they believe.

They found that over the past 15,000 years, there had been three periods in which the winter monsoon was strong but the summer monsoon was weak.

The first two periods occurred at key moments during the last Ice Age, while the last ran from around 700 to 900. Each of these monsoon shifts coincided with what was, relative to the climate epoch, unusually cold weather.

The twilight of the Tang began in 751, when the imperial army was defeated by Arabs.
But what eventually destroyed the dynasty were prolonged droughts and poor summer rains, which caused crop failure and stoked peasants' uprisings. Eventually, these rebellions led to the collapse of the dynasty in 907.

Haug's team suggests this shift in tropical precipitation occurred on both sides of the Pacific, not just in coastal East Asia.

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Thursday, December 28, 2006

China's Hidden Treasures


Below is an excerpt from an article at the NY Times. If you click on the title of this post, you'll be directed to the full article. At the NY Times site, there is also a slide show. Enjoy.


Rare Glimpses of China’s Long-Hidden Treasures
By KEITH BRADSHER

TAIPEI, Taiwan, Dec. 27 — After four years of renovations that closed two-thirds of the building, the museum housing the world’s most famous collection of Chinese art is reopening this winter and holding a three-month exhibition of its rarest works.

The National Palace Museum, home to the best of the 1,000-year-old art collection of China’s emperors, is often compared to leading Western institutions like the Louvre, the Prado and the Metropolitan Museum of Art. But while this museum’s holdings are magnificent, the institution has been known for being a highly politicized place where priceless porcelain sat in poorly lit display cases and where invaluable paintings were kept in a damp manmade cave for fear of Communist attack from mainland China.

That has now changed. Heroic statues of Chiang Kai-shek, Taiwan’s former leader, and of Sun Yat-sen, the founder of modern China, have been banished. New lighting, air-conditioning, climate-controlled storage vaults and other features rival the newest museums in the West. Even the wall labels attached to the artwork are now written in clear and specific Chinese, English and Japanese.

And after many years of hiding its most valuable and most fragile artworks — those from the Northern and Southern Sung dynasties that ruled China from 960 to 1279 — the museum has brought them out for a “Grand View” exhibition that opened on Christmas. Four of the best known Northern Sung dynasty paintings — one of them on loan from the Metropolitan Museum in New York — are being shown together for the first time, along with other rare paintings, scrolls and some of the world’s earliest printed books.

The four paintings are magnificent landscapes that tower over visitors but still have the exquisite detail of miniatures. The Chinese characters of the name of one artist are so subtly hidden in the trees of one painting that they went unnoticed until this century. A deputy director of the museum is credited with discovering them, although rumor says that a janitor was really the first to find them, said Ho Chuan-hsing, a museum specialist in early paintings and calligraphy.

Many of the pieces are so fragile that they are never lent to museums elsewhere. Some will only be on display here for half the exhibition: either from Christmas to Feb. 7 or from Feb. 8 to March 25. Museum policy allows these works to be shown only for 40 days, after which they are loosely rolled and placed in a vault to rest for at least three years; the exhibition here will not go on tour.

Art scholars describe the “Grand View” as unique.

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Monday, November 20, 2006

The Flying Tigers



Nothing says "prepare to get your ass kicked" like the shark's mouth painted on the aircraft of the famous Flying Tigers. Below is an except from the www.answers.com article on the Flying Tigers. If you click on the title of this post, you'll be directed to the entire article.

The photo was taken by one of the Flying Tigers, R.T. Smith. It is copyrighted and used by permission. The story about the photo itself is pretty interesting:

http://www.warbirdforum.com/rttommis.htm


Flying Tigers (Traditional Chinese: 飛虎隊, Simplified Chinese: 飞虎队; pinyin: Fēi Hǔ Duì) was the nickname of the American Volunteer Group, a fighter unit that fought in Burma and China, against Japanese forces during the year prior to the United States participation in World War II. After the dissolution of the AVG in mid-1942, the name was applied to its successor military unit, the 23rd Fighter Group, and more broadly to the China Air Task Force and the U.S. 14th Air Force. The shark faced fighters remain among the most recognizable of any individual combat unit of WWII, and they demonstrated innovative tactical victories when the news was filled with nothing but defeat after defeat by the Japanese at the start of WWII before American involvement.

The Flying Tigers had their first combat on December 20 1941, when they shot down three Japanese bombers near Kunming and damaged a fourth sufficiently that it crashed before returning to its airfield in northern Vietnam. The 3rd Squadron — 18 planes strong — defended Rangoon in December 23-25 and claimed approximately 90 planes, most of them heavy bombers. Other squadrons were rotated through Rangoon in January and February 1942. After the fall of Rangoon to the Japanese in March, the AVG was redeployed to bases in northern Burma and finally in China. Not surprisingly, later research has shown Japanese losses to have been smaller than believed at the time. The AVG was officially credited with 297 enemy aircraft destroyed, including 229 in the air (some popular accounts inflate the total to 500 or even 1,000 planes), but author Daniel Ford calculated that the AVG actually destroyed about 115 enemy aircraft in the air and on the ground.

Thirteen pilots were killed in action, captured, or disappeared on combat missions; two were killed in ground accidents; and eight were killed in flying accidents during the Flying Tigers' existence. One of the more famous pilots was Gregory "Pappy" Boyington, who was dishonorably discharged in April 1942. He went on to command the Black Sheep Squadron, with many similarities to the Flying Tigers, and was one of two AVG veterans (the other being James Howard of the USAAF) to be awarded the Medal of Honor in combat. Other notable AVG veterans were David Lee "Tex" Hill, later commander of the USAAF 23rd Fighter Group; Charles Older, who postwar earned a law degree, became a California Superior Court judge, and presided at the murder trial of Charles Manson; and Kenneth Jernstedt, long-time Oregon legislator and mayor of his home town of Hood River.

Many in China have not forgotten the Flying Tigers. Many model aircraft bear the slogan "Ding Hao", which means "very good" or "hot stuff" in Chinese, and there are pictures and movies of Chinese making a thumbs up gesture at American pilots. Some Chinese fathers who lived from the period told ther sons that it was actually the American pilots who picked the Chinese gesture for "you are number one", and people from China today can confirm the meaning of this gesture. This gesture appeared about the same time as the AVG deployment.
Thumbs up remains a common signal among US and other combat pilots. The blood chit on the back of leather flying jacket complete with Chinese writing and flag is still a common fashion statement even to those who have never heard of the Flying Tigers. Toy and hobby stores still stock model and toys of shark mouthed Tomahawk, some with the Chinese nationalist insignia. One 1960s magazine even featured a flying tiger shooting peas in a food magazine. The tactics used in combat to maximize the effectiveness and minimize the weakness of your own planes would be relearned over Korea and Vietnam with creation of specialized air combat schools such as TOPGUN and designing fighters specifically for combat agility after America had entered every war with fighters deficient in maneuverability.

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Wednesday, November 01, 2006

Temple of the Diamond Mountain


Kongobuji (Temple of the Diamond Mountain). Kobo Daishi gave this name to the whole collection of temples at Koya, but today the name refers to this specific temple, the "mother temple" and headquarters of the Shingon Sect. Kongobuji is 30 by 35 ken, about 210 feet in length. The curves of the temple roof are very fine and the entire building is an excellent model of Buddhist Architecture. The chief statue on the altar is that of Kobo Daishi and around him are the tablets of Emperors and distinguished persons. The numerous wall screens in the temple rooms are prime examples of the Kano school

In front of the Kongobuji is a large bell, given by Fukushima Masanori in memory of his parents. Upon the bell was written: "To ring this bell, all evil existences will be destroyed; to hear its sound one thousand holy ones will be benefited." This bell is not one in which the bell itself is struck from the inside, but is struck from the outside with a huge wooden beam. These type of bells are called kane whereas bells struck by an inner tong are called rin.

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Monday, September 11, 2006

The Winged Hussars on Sept 11, 1683


Due to the length of the previous post, I had trouble attaching the picture.

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September 11th, 1683

Over 300 years ago, Western Civilization was nearly overrun by Islam. The seeming unstoppable tide of Islam paused at Vienna. On September 11th, 1683, the king of Poland, John Sobieski, at the head of his Winged Hussars, the last heavy calvary in Europe, led an army down upon the besiegers. They swept the Muslim army from the field, and from that day, the grip of Islam upon Eastern Europe weakened. This battle was the beginning of the end of the Ottoman Empire.

If you click on the title of this post, you'll be directed to the orgininal article on answers.com, together with more links, pictures, and so on.

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Battle of Vienna
Part of the Habsburg-Ottoman Wars of 1683-1697

The Battle of Vienna (Turkish: İkinci Viyana Kuşatması) (as distinct from the Siege of Vienna in 1529) took place on September 11 and September 12 1683 after Vienna had been besieged by Turks for two months. It was the first large-scale battle of the Habsburg-Ottoman Wars, yet with the most far-reaching consequences.

The siege itself began on 14 July 1683, by the Ottoman army commanded by Grand Vizier Merzifonlu Kara Mustafa Pasha. The decisive battle took place on 12 September, after the united relief army of 70,000 men had arrived, pitted against the Ottoman army of approximately 138,000 men - although a large number of these played no part in the battle, as only 50,000 were experienced soldiers, and the rest less motivated supporting troops [1]. King Jan III Sobieski of the Polish-Lithuanian Commonwealth had been made Commander in Chief of his own 30,000-man Polish forces and the 40,000 troops of Habsburg and their allies, led by Charles V, Duke of Lorraine.

The battle marked the turning point in the 300-year struggle between the forces of the Central European kingdoms, and the Ottoman Empire. Over the sixteen years following the battle, the Habsburgs of Austria, and their allies gradually occupied and dominated southern Hungary and Transylvania, which had been largely cleared by the Turkish forces.

Prelude

To capture the city of Vienna had long been a strategic aspiration for the Ottoman Empire, due to its inter-locking control over Danubean (Black Sea-to-Western Europe) southern Europe, and the overland (Eastern Mediterannean-to-Germany) trade routes. During the years preceding the second siege, under the auspicies of grand viziers from the influential Köprülü family, the Ottoman Empire undertook extensive logistical preparations this time, including the repair and establishment of roads and bridges leading into Austria, and logistical centers, as well as the forwarding of ammunition, cannons and other resources, from all over the Empire to these logistical centers, and into the Balkans.

Emperor Leopold I

On the political front, the Ottoman Empire had been providing military assistance to the Hungarians and to non-Catholic minorities, in Habsburg-occupied portions of Hungary. There, in years preceding the siege, widespread unrest had become open rebellion, upon Leopold I's insistent pursuit of Counter-Reformation principles, and his burning desire of crushing Protestantism. In 1681, Protestants and other anti-Habsburg forces, led by Imre Thököly, were reinforced with a significant force from the Ottomans, who recognized Imre as King of "Upper Hungary" (eastern Slovakia and parts of northeastern present-day Hungary, which he had earlier taken by force of arms, from the Habsburgs). This support went so far as explicitly promising the "Kingdom of Vienna" to the Hungarians, if it fell into Ottoman hands.

Sultan Mehmed IV

Yet, before the siege, a state of peace had existed for twenty years between the Habsburgs and the Ottoman Empire, as a result of the Peace of Vasvár.

In 1681 and 1682, clashes between the forces of Imre Thököly and the Habsburgs' military frontier (which was then northern Hungary) forces intensified, and the incursions of Habsburg forces into Central Hungary provided the crucial argument of Grand Vizier Kara Mustafa Pasha in convincing the sultan, Mehmet IV and his Divan, to allow the operation of the Ottoman Army. Mehmet IV authorized Kara Mustafa Pasha to operate as far as Győr (Turkish: Yanıkkale, German: Raab) and Komarom (Turkish: Komaron, German: Komorn) castles, both in northwestern Hungary, and to besiege them. The Ottoman Army was mobilized on January 21 1682, and war was declared on August 6 1682.

"Jan III Sobieski at Vienna"

However, the forward march of Ottoman Army elements did not begin until April 1 1683 from Edirne in Thracia. This strategic mistake provided ample time (almost 15 months) for Habsburg forces to prepare their defense, and to set up alliances with other Central European rulers.
During the winter, the Habsburgs and Poland concluded a treaty in which Leopold would support Sobieski if the Turks attacked Kraków; in return, the Polish Army would come to the relief of Vienna, if attacked.

In the spring, the Turkish Army reached Belgrade in early May, then moved toward the city of Vienna. About 40,000 Tatar Forces arrived 40km east of Vienna on 7 July, twice as many as the Austrian forces in that area. After initial fights, Leopold retreats to Linz with 80,000 inhabitants of Vienna.

The King of Poland prepared a relief expedition to Vienna during the summer of 1683, honoring his obligations to the treaty. He went so far as to leave his own nation virtually un-defended when departing from Cracow on 15 August. Sobieski covered this with a stern warning to Imre Thököly, the leader of Hungary (then an Ottoman satellite), whom he threatened with destruction if he tried to take advantage of the situation - which Thököly did.

Events during the Siege

The main Turkish army finally invested Vienna on July 14. Graf Ernst Rüdiger von Starhemberg, leader of the remaining 11,000 troops and 5,000 citizens and volunteers, refused to capitulate.

The Viennese had demolished many of the houses around the city walls and cleared the debris, leaving an empty plain that would expose the Turks to defensive fire if they tried to rush the city. Kara Mustafa Pasha solved that problem by ordering his forces to dig long lines of trenches directly toward the city, to help protect them from the defenders as they advanced steadily toward the city.

As their 300 cannons were outdated and the fortifications of Vienna were up to date, the Turks had a more effective use for the gun powder: undermining. Tunnels were dug under the massive city walls to blow them up with explosives, using Sapping mines.

The Ottomans had essentially two options to take the city: the first, an all-out assault, was virtually guaranteed success since they outnumbered the defendants almost 20-1. The second was to lay siege to the city, and against all military logic, they chose the second. Historians have speculated that Kara Mustafa wanted to take the city intact for its riches, and declined an all-out attack in order to prevent the right of plunder which would accompany such an assault. [2]

Additionally, the Ottoman siege cut virtually every means of food-supply into Vienna, [3] and the garrison and civilian volunteers suffered extreme casualties and fatigue became such a problem that Graf Ernst Rüdiger von Starhemberg ordered any soldier found asleep on watch to be shot. Increasingly desperate, the forces holding Vienna were on their last legs when in August, Imperial forces under Charles V, Duke of Lorraine beat Imre Thököly of Hungary at Bisamberg, 5km north east of Vienna.

On 6 September, the Poles crossed the Danube 30km north west of Vienna at Tulln, to unite with the Imperial forces, and additional troops from Saxony, Bavaria, Baden, Franconia and Swabia which had answered the call for a Holy League that was supported by Pope Innocent XI.

Only Louis XIV of France, Habsburg's rival, not only declined to help, but used the opportunity to attack cities in Alsace and other parts of southern Germany, as in the Thirty Years' War decades earlier.

During early September, the experienced 5000 Turkish sappers repeatedly blew up large portions of the walls, the Burg bastion, the Löbel bastion and the Burg ravelin in between, creating gaps of about 12m in width. The Austrians tried to counter by digging their own tunnels, to intercept the deposition of large amounts of gun powder in subterranean caverns.

The Turks finally managed to occupy the Burg ravelin and the Nieder wall in that area on 8 September. Anticipating a breach in the city walls, the remaining Austrians prepared to fight in Vienna itself.

Staging the battle

The relief army had to act quickly, to save the city from the Turks, and to prevent another long siege in case they would take it. Despite the international composition and the short time of only six days, an effective leadership structure was established, undisputedly centered on the King of Poland and his heavy cavalry. The motivation was high, as this war was not as usual for the interests of kings, but for Christian faith and even God. And, unlike the crusades, the battleground was in the heart of Europe.

Kara Mustafa Pasha, on the other hand, was less effective despite having months of time to organize his forces, ensure their motivation and loyalty, and to prepare for the expected relief army attack. He had entrusted defence of the rear to the Khan of Crimea and his cavalry force, which numbered about 30,000.

There is serious questions as to how much the Tatar forces participated in the final battle at Vienna. Their Khan felt humiliated by repeated snubs by Kara Mustafa, and reportedly refused to make a strike against the Polish relief force as it crossed the mountains, where the heavy cavalry would have been vulnerable to such an assault from the lighthorse Tatars. [4] Nor were they the only component of the Ottoman army to openly defy Mustafa, and to refuse assignments.

This left vital bridges undefended and allowed passage of the combined Habsburg-Polish army, which arrived to relieve the siege. Critics of this account say that it was Kara Mustafa Pasha, and not the Crimean Khan, who was held responsible for the failure of the siege.

The Holy League forces arrived on the "Kahlen Berg" (bare hill) above Vienna, signalling their arrival with bonfires. In the early morning hours of 12 September, before the battle, a mass is held for King Sobieski.

The Battle

The battle started before all units were staged. Early in the mornin