Here at the frontier, the leaves fall like rain. Although my neighbors are all barbarians, and you, you are a thousand miles away, there are still two cups at my table.


Ten thousand flowers in spring, the moon in autumn, a cool breeze in summer, snow in winter. If your mind isn't clouded by unnecessary things, this is the best season of your life.

~ Wu-men ~


Thursday, November 06, 2025

Is Budo Relevant Today?


Over at The Budo Bum, the author gives his opinion on the question of whether Budo study is still relevant in our modern society. An excerpt is below. The full post may be read here.

How can budo be relevant in the 21st century, especially koryu budo, those arts established before 1868? It’s not as if anyone is training for combat with swords and spears. Close combat now is rifles and grenades, with drones quickly making even those look a bit out of date. What’s the point of training with archaic weapons, besides acting out fantasies of being samurai?

Each generation of students is responsible for understanding how their art is relevant to the world they live in. My teachers did it in their time. I did it. Now it is my students’ time. No one can do it for them.

Koryu budo training hasn’t changed substantially in hundreds of years. Through the practice of carefully developed kata, students learn and master structure, movement, timing, spacing, techniques, and refine their mental abilities so they can move and act calmly and smoothly even under extreme pressure. People throw criticism at the training method because it doesn’t emphasize competition. I’ve written critiques of competition in budo before. I won’t repeat them here. Informal sparring was always part of koryu training, even if it was almost never considered important enough to codify.

Sparring doesn’t make budo relevant. Knowing how to punch, kick, throw, choke, hit with sticks, and cut with a sword aren’t particularly relevant skills in 21st century industrialized societies. I don’t know about anyone else, but I can’t think of many lifestyles where you might expect to need those skills. We’re not all going to be police officers, bouncers, or soldiers. What makes koryu budo relevant is all the stuff that made it attractive to samurai during the 250 years of the peace enforced by the Tokugawa Shoguns. It’s not techniques that win in conflict, it’s all the other stuff. The Taisha Ryu masterwork, Kaichu, found in Unravelling The Cords - The Instructions of a Master in the Tradition of Taisha-Ryu says a little about techniques, and a lot about the mind. Takuan Soho’s The Unfettered Mind has nothing to say about technique at all, and yet it has been prized by the swordsmen of Yagyu Shinkage Ryu for four centuries.

So how do you make koryu budo ryu that are hundreds of years old relevant in the 21st century? The difficult part is learning koryu budo. Making it relevant is the easy part. No, we don’t fight in the streets with swords and spears and staves and naginata. We still fight though. Conflict is inherent in life, and the conflict we are most likely to encounter is the same kind of conflict that samurai throughout the Edo Period in Japan were most likely to encounter: social conflict. The Edo Period was more than 250 years of peace in Japan. Close combat skills were not in high demand. The mental skills and strengths that good budo training develops were though; and are just as useful when people aren’t physically attacking you as they are when your opponent is trying to physically demolish you.

Budo training is not just technical. My budo training turned out to be useful in all sorts of places I didn’t expect. It helped make me a better negotiator in business. In the dojo people regularly try to throw me to the ground, choke me unconscious, or beat me with sticks. Sometimes they succeed. People I deal with in business relationships get upset, yell, pound the table, and get right up in my face, all in an effort to intimidate and bully me. After getting used to real physical consequences in the dojo, people who get upset and emotional in meetings come off like a 2-year-old having a tantrum. It is sound and fury, signifying nothing. I wait for them to get tired, and then we do it my way.

 

 

Monday, November 03, 2025

The Round and Square Forms in Taijiquan Practice


At his Classical Tai Chi blog, Jim Roach has some interesting thoughts on two modes of practicing the taijiquan form. An excerpt is below. The full post may be read here.

My own teacher, Stephen Hwa, Ph.D., did seminars for Jou Tsung-Hwa's students and he told me in an email that Jou Tsung-Hwa was…someone who was in search of the truth in Tai Chi, and I would like to meet him…”. Master Jou was the author of The Tao of Tai-Chi Chuan.  He used the analogy of a film to explain the movement of Tai Chi. He stated that when viewed as individual, static poses, the movements make no sense. The proper motion and meaning are only perceived when the "framesare put together and performed fluidly as a continuous sequence. The "Film" analogy teaches several core concepts of Tai Chi practice that can aptly be applied to Classical Tai Chi. 


In the numerous styles, there is really only one that has aroundform and asquare(fang) form. The Wu Style, with all its own derivatives, often surprises people with the direct opposite requirement between Square and Round.


The direct opposite requirement is not unique, however:

I am echoing Master Hwa as I relate my own experience. Just think how one learns the art of calligraphy. My own teacher echoes this in the video link. My own experience had me learning Chinese Calligraphy, how to write in print form (brush and ink, of course). Then I studied a smidgen of cursive calligraphy. The differences between these two writing forms are analogous to the differences between those two Tai Chi Forms.


Square Form is analogous to the block printing of (pinyin) Kai Style, or what is calledKai Shu”. The round form is analogous to Tsao Style or "Tsao Shu/Cao Shuor the cursive script.

In Square Form, as in calligraphy, movements occur along relatively straight lines between points (the start and end points of inflection). The Round Form, with its curves, has the curves passing through those points. The Square Form is like a template for the Round Form. As you see, the curves go through the points where the lines meet.


Again, merely echoing my teacher, who was a Ph.D. engineer and scientist at Xerox Corporation.  Like the Calculus of Mathematics; however, I would point out that the Round Form is like the calculus, which integrates a tiny segment of a curved motion as a straight line to form the curved motion. A Square Form is like taking one of the small straight lines and expanding it into a straight movement. The way of the universe uses principles that govern everything that appears unrelated.

 

 

Thursday, October 23, 2025

Vintage Kobudo Video


Okinawan Kobudo is the weapons art that often accompanies Karate. Below is a vintage video.

 

 

Monday, October 20, 2025

The Taijiquan of Maggie Newman


Over at Bloke on the Path, a video was posted of Maggie Newman doing the Yang 37 Taijiquan form. Ms Newman was one of the most senior students of Cheng Man Ching in the US. She was a storied dancer; widely known and respected, and threw it all aside to study Tajiquan under Master Cheng.

 

 

Sunday, September 28, 2025

The History of Japanese Boxing


At The Budo Journeyman, there was a post describing the history of western boxing in Japan, as well as a look at striking in general. An excerpt is below. The full post may be read here.

I recently read an interview with Okinawan karate expert Patrick McCarthy, in which he said; (worth quoting in its fuller version, to give context):

“Rare as they may be, I witnessed several street/pub confrontations with salary men, over the many years I resided in Japan. I never paid much attention to the fact that not once did I ever see a Japanese kick or punch each other in such encounters. Rather, it was more aggressive shoving, slapping and wrestling than the kind of physical brutality we’ve become so used to in the West. In a conversation with my Fujisawa boxing coach, Mr. Yamagami, I was surprised to learn that Japanese did not have a history of using a kobushi (clenched fist) in street confrontations. In fact, according to him, such a thing did not become popular until the post-war years and even then, it was mostly amongst Yakuza-type Japanese. Later, when I was doing some research …, I discovered a 1921 article written by Sasaki Gogai, in which he talks about how excited the Japanese all were about (kobushi-based fighting) after watching the Jack Dempsy [sic] vs Georges Carpentier’s world title bout in New Jersey earlier that year. When I started asking a few questions here and there I was very surprised to learn that the said fight was the first time a nation (Japan) had ever seen boxing!”

Source: https://www.usadojo.com/one-on-one-with-hanshi-patrick-mccarthy/

I had never thought about this before, and so started to dig into it.

Early boxing in Japan.

It seems that boxing (in a small way) was experienced by the Japanese as early as Matthew Perry and the ‘Black Ships’.

In 1854 there was a kind of sporting bout between a western sailor and a Japanese sumo wrestler. I am pretty sure the wrestler would have tried to use the sumo-style slaps and then bounce the guy, but would have probably suffered against the boxing methodology of the sailor, (which, I wouldn’t have imagined was very sophisticated. In England at the time, the champion boxer was Tom Sayers, who would have been of the bare-knuckled fighting breed). It’s difficult to find any reliable details.

This wasn’t necessarily a full cultural exchange, or the springboard for the Japanese to embrace boxing. That was to come much later.

The establishment of Japanese boxing.

According to Wiki, ‘The first boxing gym Meriken Training Institute (メリケン練習所) was established in Ishikawachō, Yokohama, Kanagawa by James Hōjō (ジェームス 北條) and Toranosuke Saitō (齋藤 虎之助) in 1896. After the first tutorial book, Bōgeki Jizai Seiyō Kentōjutsu (防撃自在西洋拳闘術) was issued in 1900, followed shortly by International Jūken Club (国際柔拳倶楽部) was opened in Mikage, Kobe by Kenji Kanō in 1909’.

Boxing as a sport in Japan became a real thing in the 1920’s with the setting up of professional organisations. So really, boxing had at least forty years of development before the Dempsey fight.

I suspect Mr McCarthy is making a quiet case for the novelty of the Okinawan method of attacking with the fist in a ‘punching’ manner (as it might have appeared to 1920 city dwellers in Tokyo and Osaka). But we know that fighting with the fist had a very long tradition in China, which then leaked across to Okinawa.

Striking arts in Japanese martial arts.

It depends how pedantic you want to be about this. I mean, what do we mean by the fist? Is anything with a closed hand a fist?

The older forms of unarmed combat in Japan had hand strikes a plenty, but not really with the intent of repeatedly bludgeoning someone into submission or unconsciousness. The hand strikes in jujutsu had many nuanced uses; anything from a distraction to an incapacitating nerve strike (strikes to neck, the philtrum or the temple, or multiple other hits to the head, have always been there).

Just to be clear, the sumo slap (harite) is mainly a distractor, or a head turning strategy, not that it wouldn’t be a painless experience to be on the end of it.

 

 

 

Thursday, September 25, 2025

Monday, September 22, 2025

The Last Part of the Kata


At Shugyo, a blog about iaido and jodo training, the author made a post specifically about the last part of each iaido kata, the noto. It's worth reading and considering for every form that we practice.

An excerpt is below. The full post may be read here.

The arse end of the kata

I was once told during a written examination of iaido in Japan, that the four "columns" of iaido consisted usually of nukitsu, kiritsuke, chiburi and noto. Every kata, more or less, contained all of these elements. Each possesses an essential quality of its own:

  • Nukitsuke would be expressed by a range of strategies including taking the enemy by surprise, seizing the moment, controlling or suppressing their attack etc.
  • Kiritsuke* would be expressed as a decisive termination of the enemy's life once the exponent had decided that this was the only solution.
  • Chuburi would be an expression of zanshin once the distinct fighting part of the kata is over to release the body and unseize the mind.
  • Noto additionally would be an expression of zanshin, almost the complete reverse of nukitsuke, but being uber aware during this dangerous moment of the sword being resheathed thus being a moment at which the exponent was most vulnerable to an additional attack. 

*For those kata that are concluded with a thrust, this element would be called Tsukizuke which is both difficult to pronounce without spitting and is a homophone of "moon pickles". 

Despite each of these elements being self-evidently vital, I sometimes (often) notice the tendency for noto to be given a slightly lower position on the priority ladder. It seems that once all the sword waving and posing for the camera had been completed, noto was a fiddly detail that one had to get through in order to progress to the next kata.

Given the number of minor injuries that I and others had suffered while doing noto, this feels like a wasted moment if not given the same priorities as the other elements in the kata. I mean, just because the letter "Z" is at the arse end of the alphabet, it doesn't make it less important - ask any Polish person! 

To illustrate this vital point, here is a list of the names of some my closest Polish friends with the Z's in their names caps'd and in bold.

  •  LukasZ Machura
  • Michał SZcZepański
  • Paweł BrZeZiński
  • AgniesZka KrawcZyk
  • Marcin Zyga
  •  Ziemowit ZenZiZenZiZenZic (shortened to "Domański")

Most of them have more Z's in their name than vowels! Some has more Z' than letters!

Back to the story... 

During 2024 and 2025 I spent some considerable time in Japan training at Shinbukan while students of our dojo prepared to take 6th and 7th dan exams in iaido and jodo. It just so happened during one of these visits, while coaching a 6th dan iaido candidate who had just been landed with her brand new shinken, that Ishido Sensei explained in detail the method of doing horizontal noto i.e. that used in Muso Shinden Ryu and other ryuha.

While I had picked up snippets of this methodology over the years, this was the first time to have it explained in such comprehensive and complete detail. Additionally, Ishido Sensei over the last year during my visits was very focused on the correctness and general performance of noto.

He showed me a scratchy old black-and-white video of some very old iaido masters (who were also scratchy and black-and-white) doing demonstrations and at one point, emphasised how, despite age affecting their speed and power in nukitsuke, kiritsuke and chiburi, their noto still contained the essential aspects of speed, fluidity, control and zanshin vital for a well performed noto. He told me that while most people could learn speed and power within a few years, true quality from decades of practice becomes visible in the way noto is performed.

And so he instructed very clearly and in detail, the exact movements of preparing for noto which I will try to present now. Please bear in mind that this is Ishido Sensei's version of Muso Shinden Ryu noto; other styles may have other methods, even other lines of MSR might vary.

I will first explain my understanding of his noto method up to that point and then explain why it doesn't work so well. Previously I had gripped the koiguchi in a natural way and then rotated the saya (that is the angle of the koiguchi to about 45°. Then as the sword approached the left hand I would rotate the saya to the full 90° to align the hasuji of the saya with that of the sword. I wasn't sure why it should be rotate to a 45° waiting position first, I just did it as I had been taught this way by Ishido Sensei.

 

 

 

Friday, September 19, 2025

Boost Your Martial Arts Training


There was another thought provoking post at Budo Journeyman. An excerpt is below. The full post may be read here.

Take it from me, these three factors I’ve either benefitted from, or my past self would have reaped the largesse,… if I had known. And so, I want to share this with my readers.

Power Boost number one:

Tap into the right mantras and motivators.

Everybody likes a saying, a phrase that is a go-to kick in the pants. The problem is that this stuff is all over the Internet and although it sounds profound, it either isn’t or it’s not going to rock your world. Some of it is even contradictory.

Here are a few things that I either would have benefitted from, or I still tap into today. All relating to training in the martial arts:

Marcus Aurelius (Roman emperor warrior and Stoic Philosopher). The full quote is:

“I have to go to work — as a human being. What do I have to complain of, if I'm going to do what I was born for — the things I was brought into the world to do? Or is this what I was created for? To huddle under the blankets and stay warm?'"

Or, ‘nobody achieves anything by lying in bed’.

Now try this one…

Ray Kroc (the founder of McDonalds) quote:

"The two most important requirements for major success are: first, being in the right place at the right time, and second, doing something about it"

A very similar quote, or the same sentiment is attributed to the founder of Motown Records, Berry Gordy.

 

Whether it’s written down, or from verbal tradition; work out what works for you.

I can relate this the Brian Eno’s ‘The Scenius’ mentioned in my piece on Genius; https://budojourneyman.substack.com/p/the-genius-effect

Recognise that you are in a major advantageous situation and milk it for all it’s worth.

Sometimes, you are in the middle of something, a door opens and you fail to act (I have certain personal regrets that continue to haunt me to this day).

And now…

Ellis Amdur (martial arts writer and respected Koryu practitioner).

Paraphrased here:

If you want to really figure out the wisdom of a true martial arts expert, ‘all you gotta do is PAY ATTENTION’.

Brilliant. Too many people have real pearls of wisdom laid out in front of them by a genuine authority and allow their own mental chatter to get in the way.

Sort yourself out!

Confession time; I have made this error myself. I missed it first time round because I was too busy transposing my own ‘wisdom’ over the top of it (fool that I am).

There are many more, but it’s what works for you.