Here at the frontier, the leaves fall like rain. Although my neighbors are all barbarians, and you, you are a thousand miles away, there are still two cups at my table.


Ten thousand flowers in spring, the moon in autumn, a cool breeze in summer, snow in winter. If your mind isn't clouded by unnecessary things, this is the best season of your life.

~ Wu-men ~


Sunday, September 28, 2025

The History of Japanese Boxing


At The Budo Journeyman, there was a post describing the history of western boxing in Japan, as well as a look at striking in general. An excerpt is below. The full post may be read here.

I recently read an interview with Okinawan karate expert Patrick McCarthy, in which he said; (worth quoting in its fuller version, to give context):

“Rare as they may be, I witnessed several street/pub confrontations with salary men, over the many years I resided in Japan. I never paid much attention to the fact that not once did I ever see a Japanese kick or punch each other in such encounters. Rather, it was more aggressive shoving, slapping and wrestling than the kind of physical brutality we’ve become so used to in the West. In a conversation with my Fujisawa boxing coach, Mr. Yamagami, I was surprised to learn that Japanese did not have a history of using a kobushi (clenched fist) in street confrontations. In fact, according to him, such a thing did not become popular until the post-war years and even then, it was mostly amongst Yakuza-type Japanese. Later, when I was doing some research …, I discovered a 1921 article written by Sasaki Gogai, in which he talks about how excited the Japanese all were about (kobushi-based fighting) after watching the Jack Dempsy [sic] vs Georges Carpentier’s world title bout in New Jersey earlier that year. When I started asking a few questions here and there I was very surprised to learn that the said fight was the first time a nation (Japan) had ever seen boxing!”

Source: https://www.usadojo.com/one-on-one-with-hanshi-patrick-mccarthy/

I had never thought about this before, and so started to dig into it.

Early boxing in Japan.

It seems that boxing (in a small way) was experienced by the Japanese as early as Matthew Perry and the ‘Black Ships’.

In 1854 there was a kind of sporting bout between a western sailor and a Japanese sumo wrestler. I am pretty sure the wrestler would have tried to use the sumo-style slaps and then bounce the guy, but would have probably suffered against the boxing methodology of the sailor, (which, I wouldn’t have imagined was very sophisticated. In England at the time, the champion boxer was Tom Sayers, who would have been of the bare-knuckled fighting breed). It’s difficult to find any reliable details.

This wasn’t necessarily a full cultural exchange, or the springboard for the Japanese to embrace boxing. That was to come much later.

The establishment of Japanese boxing.

According to Wiki, ‘The first boxing gym Meriken Training Institute (メリケン練習所) was established in Ishikawachō, Yokohama, Kanagawa by James Hōjō (ジェームス 北條) and Toranosuke Saitō (齋藤 虎之助) in 1896. After the first tutorial book, Bōgeki Jizai Seiyō Kentōjutsu (防撃自在西洋拳闘術) was issued in 1900, followed shortly by International Jūken Club (国際柔拳倶楽部) was opened in Mikage, Kobe by Kenji Kanō in 1909’.

Boxing as a sport in Japan became a real thing in the 1920’s with the setting up of professional organisations. So really, boxing had at least forty years of development before the Dempsey fight.

I suspect Mr McCarthy is making a quiet case for the novelty of the Okinawan method of attacking with the fist in a ‘punching’ manner (as it might have appeared to 1920 city dwellers in Tokyo and Osaka). But we know that fighting with the fist had a very long tradition in China, which then leaked across to Okinawa.

Striking arts in Japanese martial arts.

It depends how pedantic you want to be about this. I mean, what do we mean by the fist? Is anything with a closed hand a fist?

The older forms of unarmed combat in Japan had hand strikes a plenty, but not really with the intent of repeatedly bludgeoning someone into submission or unconsciousness. The hand strikes in jujutsu had many nuanced uses; anything from a distraction to an incapacitating nerve strike (strikes to neck, the philtrum or the temple, or multiple other hits to the head, have always been there).

Just to be clear, the sumo slap (harite) is mainly a distractor, or a head turning strategy, not that it wouldn’t be a painless experience to be on the end of it.

 

 

 

Thursday, September 25, 2025

Monday, September 22, 2025

The Last Part of the Kata


At Shugyo, a blog about iaido and jodo training, the author made a post specifically about the last part of each iaido kata, the noto. It's worth reading and considering for every form that we practice.

An excerpt is below. The full post may be read here.

The arse end of the kata

I was once told during a written examination of iaido in Japan, that the four "columns" of iaido consisted usually of nukitsu, kiritsuke, chiburi and noto. Every kata, more or less, contained all of these elements. Each possesses an essential quality of its own:

  • Nukitsuke would be expressed by a range of strategies including taking the enemy by surprise, seizing the moment, controlling or suppressing their attack etc.
  • Kiritsuke* would be expressed as a decisive termination of the enemy's life once the exponent had decided that this was the only solution.
  • Chuburi would be an expression of zanshin once the distinct fighting part of the kata is over to release the body and unseize the mind.
  • Noto additionally would be an expression of zanshin, almost the complete reverse of nukitsuke, but being uber aware during this dangerous moment of the sword being resheathed thus being a moment at which the exponent was most vulnerable to an additional attack. 

*For those kata that are concluded with a thrust, this element would be called Tsukizuke which is both difficult to pronounce without spitting and is a homophone of "moon pickles". 

Despite each of these elements being self-evidently vital, I sometimes (often) notice the tendency for noto to be given a slightly lower position on the priority ladder. It seems that once all the sword waving and posing for the camera had been completed, noto was a fiddly detail that one had to get through in order to progress to the next kata.

Given the number of minor injuries that I and others had suffered while doing noto, this feels like a wasted moment if not given the same priorities as the other elements in the kata. I mean, just because the letter "Z" is at the arse end of the alphabet, it doesn't make it less important - ask any Polish person! 

To illustrate this vital point, here is a list of the names of some my closest Polish friends with the Z's in their names caps'd and in bold.

  •  LukasZ Machura
  • Michał SZcZepański
  • Paweł BrZeZiński
  • AgniesZka KrawcZyk
  • Marcin Zyga
  •  Ziemowit ZenZiZenZiZenZic (shortened to "Domański")

Most of them have more Z's in their name than vowels! Some has more Z' than letters!

Back to the story... 

During 2024 and 2025 I spent some considerable time in Japan training at Shinbukan while students of our dojo prepared to take 6th and 7th dan exams in iaido and jodo. It just so happened during one of these visits, while coaching a 6th dan iaido candidate who had just been landed with her brand new shinken, that Ishido Sensei explained in detail the method of doing horizontal noto i.e. that used in Muso Shinden Ryu and other ryuha.

While I had picked up snippets of this methodology over the years, this was the first time to have it explained in such comprehensive and complete detail. Additionally, Ishido Sensei over the last year during my visits was very focused on the correctness and general performance of noto.

He showed me a scratchy old black-and-white video of some very old iaido masters (who were also scratchy and black-and-white) doing demonstrations and at one point, emphasised how, despite age affecting their speed and power in nukitsuke, kiritsuke and chiburi, their noto still contained the essential aspects of speed, fluidity, control and zanshin vital for a well performed noto. He told me that while most people could learn speed and power within a few years, true quality from decades of practice becomes visible in the way noto is performed.

And so he instructed very clearly and in detail, the exact movements of preparing for noto which I will try to present now. Please bear in mind that this is Ishido Sensei's version of Muso Shinden Ryu noto; other styles may have other methods, even other lines of MSR might vary.

I will first explain my understanding of his noto method up to that point and then explain why it doesn't work so well. Previously I had gripped the koiguchi in a natural way and then rotated the saya (that is the angle of the koiguchi to about 45°. Then as the sword approached the left hand I would rotate the saya to the full 90° to align the hasuji of the saya with that of the sword. I wasn't sure why it should be rotate to a 45° waiting position first, I just did it as I had been taught this way by Ishido Sensei.

 

 

 

Friday, September 19, 2025

Boost Your Martial Arts Training


There was another thought provoking post at Budo Journeyman. An excerpt is below. The full post may be read here.

Take it from me, these three factors I’ve either benefitted from, or my past self would have reaped the largesse,… if I had known. And so, I want to share this with my readers.

Power Boost number one:

Tap into the right mantras and motivators.

Everybody likes a saying, a phrase that is a go-to kick in the pants. The problem is that this stuff is all over the Internet and although it sounds profound, it either isn’t or it’s not going to rock your world. Some of it is even contradictory.

Here are a few things that I either would have benefitted from, or I still tap into today. All relating to training in the martial arts:

Marcus Aurelius (Roman emperor warrior and Stoic Philosopher). The full quote is:

“I have to go to work — as a human being. What do I have to complain of, if I'm going to do what I was born for — the things I was brought into the world to do? Or is this what I was created for? To huddle under the blankets and stay warm?'"

Or, ‘nobody achieves anything by lying in bed’.

Now try this one…

Ray Kroc (the founder of McDonalds) quote:

"The two most important requirements for major success are: first, being in the right place at the right time, and second, doing something about it"

A very similar quote, or the same sentiment is attributed to the founder of Motown Records, Berry Gordy.

 

Whether it’s written down, or from verbal tradition; work out what works for you.

I can relate this the Brian Eno’s ‘The Scenius’ mentioned in my piece on Genius; https://budojourneyman.substack.com/p/the-genius-effect

Recognise that you are in a major advantageous situation and milk it for all it’s worth.

Sometimes, you are in the middle of something, a door opens and you fail to act (I have certain personal regrets that continue to haunt me to this day).

And now…

Ellis Amdur (martial arts writer and respected Koryu practitioner).

Paraphrased here:

If you want to really figure out the wisdom of a true martial arts expert, ‘all you gotta do is PAY ATTENTION’.

Brilliant. Too many people have real pearls of wisdom laid out in front of them by a genuine authority and allow their own mental chatter to get in the way.

Sort yourself out!

Confession time; I have made this error myself. I missed it first time round because I was too busy transposing my own ‘wisdom’ over the top of it (fool that I am).

There are many more, but it’s what works for you.

Thursday, September 11, 2025

The Aikido of Takeshi Kimeda

 


When I trained in Yoshinkan aikido under Kushida Sensei back in the 70's and 80's in Detroit, a frequent visitor was Takeshi Kimeda Sensei, who was in charge of Yoshinkan Aikido in Canada. I was able to snag him as a training partner a few times and it was a wonderful experience.

 Below is a video of a demonstration he gave in 2018. Enjoy.

 

 

Tuesday, September 02, 2025

Taijiquan and Non Violence


There was recently an interesting post at Thoughts on Tai Chi about Taijiquan and Non Violence. An excerpt is below. The full post may be read here.

Tai Chi Chuan is a completely non-violent martial art. There, I said it!

What? How can a martial art be non-violent?

Well, that’s a good question – so please let me explain. If a skilled Tai Chi practitioner is attacked, he or she does not acknowledge aggression or violence.

We don’t acknowledge aggressive manners or words. We don’t respond to them. We keep both mind and heart empty, not allowing another person’s violence to attach itself to us.

And – if we are attacked physically, we don’t perceive it as a weapon or a threat. Instead, we see the attacker’s movement as nothing more than a physical action – harmless in itself – and we simply move through space, adjusting to the motion.

If I stand still in the path of a fist, yes, Tai Chi becomes violent – because I allow you to hurt me. That is violence. So Tai Chi cannot be passive, because passivity invites violence. Instead, a skilled practitioner – regardless of the type of attack – will not meet the attack head-on. So, I will not meet a punch with my face, but at the same time, I will not try to block the force or stop the direction of the punch.

Regardless of the attack, a good Tai Chi practitioner will follow and guide the moving body.

Pay close attention here. Notice my wording: I did not say “follow and guide the attack,” or “follow and guide the punch.” I mean exactly what I wrote – follow and guide the moving body. This means the whole body. When someone attacks, we connect to their balance and their center. But again – without ever meeting force directly.

Tai Chi is about following, guiding, entering, finding the gaps, and mirroring the opponent’s movements. All of it is non-violent.