As martial artists, we can learn from other athletes and artists. Below is an excerpt from a post that appeared at Steven Pressfield's blog (author of Bagger Vance and Gate of Fire). The full post may be read here.
My great friend and mentor (and also my first boss), David Leddick, spent several years as a ballet dancer with the Metropolitan Opera. David trained with a celebrated teacher named Margaret Craske.
Here’s what he wrote in his book, I’m Not For Everyone. Neither Are You.
I studied ballet at the old Metropolitan Opera when Antony Tudor, the famous choreographer, was the head of the ballet school. In fact, Margaret Craske was the teacher most students considered to be more important. She had danced with Pavlova in the ’20s.
Miss Craske instructed us: “Leave your problems outside the classroom.”
Such good advice. And in that hour and a half of intense concentration on every part of your body, the music, the coordinating with other dancers—you really couldn’t think about your troubles and it was great escaping them. You emerged much more relaxed and self-confident.
We worked hard. We never had a sick day. You went on even if you had to lie down in the wings until you were needed. No one thought this was unusual.
At the Met, the powers that be were only interested in two things: how well you sang and how well you danced. Your race didn’t count, your background, sexual preferences, family, none of that mattered. You had to deliver. That was the sole standard. It was great.
In later careers, all of this has stood me in good stead. I never had to work that hard in any of the various worlds I entered. I knew the quality of the work I was doing. Dancing at the Met was a wonderful experience and a wonderful preparation for the rest of my life.
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