Here at the frontier, the leaves fall like rain. Although my neighbors are all barbarians, and you, you are a thousand miles away, there are still two cups at my table.


Ten thousand flowers in spring, the moon in autumn, a cool breeze in summer, snow in winter. If your mind isn't clouded by unnecessary things, this is the best season of your life.

~ Wu-men ~


Sunday, August 07, 2005

A MantisTrying to Stop a Chariot


If you click on the title of this post, you'll be directed to the page where I found this story. If you click http://www.littlefrog.com/gallery?room=aphorisms , you'll be directed to the page where I found the picture.

A Mantis Trying to Stop a Chariot

When somebody overrates himself, he is often warned: "Don't be a mantis trying to stop a chariot." The saying comes from a legend dated back to the Spring and Autumn Period.

One day, the King of Qi went out for a hunting with his men. The carriages were going along, when suddenly a mantis stood in the middle of the road with its sickle-like forelegs opened. It was obvious that he was trying to fight against the carriage to hold it back. Surprised at the case, the King of Qi ordered to stop and asked what creature it was. When he was told it was called mantis, and it would go well up to bridle decisively when it was challenged. The King sighed with exclamation at its braveness. He mused a moment and added: "It's a great pity that it is not more than an insect. If it were a man, he must be the bravest warrior in the world!" Then the King ordered his carriages turn around it to leave the mantis there standing martially.

When the persons around heard the King's words, they were well touched and determined to devote themselves to the country.

As time passed, the meaning of the phrase changed to its opposite. Now it means that someone overrates oneself and try to hold back an overwhelmingly superior force.

Saturday, August 06, 2005

The 36 Strategies: #2, Beseiging Wei to Rescue Zao


Aka ... Surround one state to save another.

When a strong group is about to take over a weaker group, a third part can "hayve it's cake and eat it too," gaining a good reputation by attacking the aggressor in apparent behalf of the defender, and also eventually absorb the weakened defender to boot, without incurring the same negative reputation that would be leveled at outright aggression.

What this amounts to is if A is in trouble, and asks B for help, B can use the occasion for his own advantage.

I think what can be learned from this strategy is less about taking advantage of someone else, than if you are in trouble, and are going to ask someone else for help, be very careful in selecting who you ask.

Friday, August 05, 2005

300 Tang Dynasty Poems: #1 Thoughts 1 by Zhang Jiuling

Click on the title of this post, and you will be directed to the 300 Tang Dynasty Poems








Five-character-ancient-verse

Zhang Jiuling


THOUGHTS I

A lonely swan from the sea flies,
To alight on puddles it does not deign.
Nesting in the poplar of pearls
It spies and questions green birds twain:
"Don't you fear the threat of slings,
Perched on top of branches so high?
Nice clothes invite pointing fingers,
High climbers god's good will defy.
Bird-hunters will crave me in vain,
For I roam the limitless sky."

Thursday, August 04, 2005

Tiger and Dragon Contending


Click on the title of this post to find the website I found this on.



The monastic students of the Long-hu Ch'an Monastery were in the middle of copying a painting of a dragon fighting with a tiger on the wall. The dragon in the painting was hovering under the clouds; the tiger was crouched on a mountain summit, poised as if about to pounce. Although it had been revised numerous times, there invariably seemed to be something missing in the flow of action in the painting. Quite by chance, at this time Ch'an master Wu-te returned from outside. The students requested the Ch'an master to make a quick assessment of what they had done.

After looking at it, Ch'an master Wu-te said: "The outlook of the dragon and the tiger hasn't been painted too badly, but how much do you know about the nature of the dragon and the tiger? What you should know is that before the dragon attacks its head must shrink backwards, just as when the tiger is pouncing upwards its head is bound to press downwards. The more the dragon's neck is bent backwards, and the closer the tiger's head is to the ground, the faster they will be able to rush forward and the higher they'll be able to jump."

The students were overjoyed to receive such an instruction, exclaimed: "The teacher really hit the nail on the head! Not only did we paint the dragon's head too far forward, but the tiger's head is also too high. No wonder we felt there was something lacking in the depiction of the action."

Ch'an master Wu-te seized this opportunity to teach by saying: "In personal conduct, as well as in taking care of affairs, while learning Ch'an and cultivating oneself religiously, one must prepare by taking a step back in order to rush ahead even farther, reflecting humbly so that one can climb even higher."

Apparently not completely following what was being told, the students asked: "Teacher, how is one who steps back able to move forward? How is one who humbles himself able to reach higher?"

In response, Ch'an master Wu-te then solemnly said: "Listen to my Ch'an poem :

By hand, plant the entire field with green seedlings;
Bowing my head, I see heaven appear in the water.
One's body and spirit must be clean and pure before one can practice the way.
Taking a backward step is actually a forward move.

"Are you all able to comprehend?"

By now all the students finally understood.

Self-respect is part of the character of a Ch'an practitioner. They are independent, full of pride and distant like a dragon raising its head and tiger wrestling with its foe; however, sometimes they are also extremely modest, like a dragon shrinking back and a tiger lowering its head. This explains perfectly what is meant by progressing when one should progress; yielding when one should yield; raising up high when it's proper to be high; lowering oneself when one ought to be low. In other words, one should go forward or backward as reason demands it, and raise up high or lie low when it's the proper time for it. Dragons are the spirit of the beasts and tigers are the kings. Those who practice Ch'an are the sages among the people, taking backward motion as progress and humility as their loftiness. Is this not how it should be?

(Source: Hsing Yun's Ch'an Talk, Book 4)

Wednesday, August 03, 2005

Lost in Translation

This is hilarious. If you click on the title of this post, you'll be directed to another blog. On that blog, you'll find screen shots and captions from Revenge of the Sith, that had been translated from English, to Chinese, and back to English again.

"Revenge of the Sith" comes out as Backstroke of West.

Enjoy.

More on Dragons


From Many Imaginations, One Fearsome Creature
April 29, 2003By DONALD G. McNEIL Jr.


A huge scaly serpent, usually with the wings of a bat orbird. Four or two or no legs. Breathes fire or poisonousfumes. May talk, but won't take guff from mere mortals.Sometimes has a vulnerable underbelly (good luck,Siegfried!) and sometimes is solid armor plate. May guard atreasure. May diet on virgins, or anything that crosses itspath, halitosis-barbecued.

Sound familiar? Of course. For everyone from Perseus ofJaffa to Harry of Hogwarts, it's a dragon.

Of all the hoary old monsters, dragons are the mostpersistent, appearing everywhere from mall crystal shops toDisney movies. Cryptozoologists search for its cousins, theLoch Ness monster and the mokele-mbembe of the Congoswamps.

Dragon images have been found on the Ishtar Gate ofBabylon, on scrolls from China, in Egyptian hieroglyphs andEthiopian sketches, on the prows of Viking ships, in basrelief on Aztec temples, on cliffs above the MississippiRiver and even on bones carved by Inuits in climates whereno reptile could live.

Now scholars drawing on primitive art, fossilized bones andancient legends are struggling to explain how cultures thathad no contact with one another constructed mythicalcreatures so remarkably similar. And why did dragonspersist so long?

Claw-footed griffins, gentle unicorns and man-eatingsphinxes passed into legend relatively quickly, while eveneducated men clung to belief in dragons at least through1734, wrote Peter J. Hogarth, author of "Dragons" (Viking,1979). That year, the Swedish naturalist Linnaeus dismisseda seven-headed hydra on display in Hamburg by saying it wasa clever fake concocted of animal parts. Its aggrievedowners, merchants who had bought it from Count vonLeeuwenhaupt for the "staggering price of 10,000 florins,"drove Linnaeus out of town by threatening to sue, thuspuffing a small dark cloud across the dawn of rationalism.

"The new zoology had lost a first skirmish with the old,"Mr. Hogarth wrote. But, he concluded, it won every laterone.

As a dragon debunker, Linnaeus was unusual. Many earlierassertions that dragons existed came from scientists whospeculated on how birds could mate with lizards or whom themonstrous skulls turned up in European caves and Chinesecanal projects belonged to.

They include writers like the Roman naturalist Pliny; theJesuit scholar Athanasius Kircher, who wrote "UndergroundWorld" in 1665; and Edward Lhwyd, keeper until 1709 of theAshmolean Museum at Oxford, which is now a respected artmuseum but began life as a botanist's curio cabinet.

In "An Instinct for Dragons" (Routledge, 2000), Dr. DavidE. Jones, a professor of anthropology at the University ofCentral Florida in Orlando, posits a biological explanationthat jibes with the Jungian notion of unconsciouscollective fears. He argues that the dragon image,fermented in the primal soup of man's first nightmares, isa composite of the carnivores who fed on human ancestorswhen they were tree-dwelling monkeys: the pythons, the bigcats and the raptors.
Professor Jones was struck by the idea, he said, whilereading about the three-alarm calls of the vervet monkey.The first, for leopards, makes them leap for the treetops.The second, for eagles, makes them duck to low branches,and the third, for snakes, makes them jump.

Obviously, there is quite an evolutionary gap betweenvervet monkeys and the Sumerians of 5000 B.C., the firstpeople known to have drawn dragons. But Dr. Jones arguesthat the same elemental fears persist in humans as snakeand bird phobias, and he cites as evidence the fact thatinfant chimpanzees who have never seen snakes are terrifiedof them.

His theory cannot really be tested, he acknowledged in aninterview. Still, he said, for millions of years, "primatebrain selectivity was for sensitivity to predators."

Until relatively recently, the question that scholars hadasked was not, "Are dragons real?" but rather, "Why don'twe see them anymore?"

Pliny, ignoring Greek and Roman mythology, held that"dracos" did exist, but just in faraway India, where hereported that they were large enough to prey on elephantsby dropping out of trees and strangling them. Modernnaturalists assume that he heard reports of pythons, whichnot only grew bigger in retelling, but also turned intofish stories. Some dragons, Pliny wrote, had such largecrests on their heads they could sail to Arabia to hunt.

Pliny's descriptions - treated as factual - persisted forcenturies, turning up in 1608 in an English translation ofa German naturalist's work. That just strengthened beliefin subsequent legendary dragons, Beowulf's Grendel; Fafner,whose belly was slit by Siegfried; and the Midgard serpentthat Thor struck with his hammer. As late as 1420, a battlebetween Sir John Lambton and the milelong Lambton Wyrm (oldEnglish for snake) was reported as fact, and flocks werereported at London fires.

Throughout the Middle Ages, the devout assumed that dragonsexisted; the Bible said so. The 300-eyed steam-spewingJordan-swallowing Leviathan in the Book of Job is a dragon,and so, according to early translations and many medievalpaintings, is the creature that tempted Eve.

After all, itwould be hard for a mere snake to offer an apple whilewhispering sweet temptations.
The ancients often cited "physical evidence," for whichmodern scholars offer new explanations.

In 58 B.C., Pliny reported, the "spine of the sea serpentkilled by Perseus at Joppa" (modern-day Jaffa) wasdisplayed in Rome. Karl Shuker, author of "Dragons, ANatural History" (Simon & Schuster, 1995), surmises thatthe monster Cetus, swimming up to eat Andromeda, might havegrown out of rare sightings of oarfish, a snakelike fish upto 30 feet long with a coral red head crest. Other scholarstheorize that the skeleton might have been one of the spermwhales that once commonly beached near Jaffa. A half-rottedwhale, with its jawbones and vestigial leg bones exposed,would look rather dragonlike, they say.

Before Linnaeus played spoilsport, stuffed monsters wereroutinely exhibited at fairs. An Italian mathematicianreported seeing "dragon babies" in Paris in 1557. They mayhave been snakes with bat wings sewn on.

(Centuries later, P. T. Barnum sewed a dried fish tail to adried monkey torso and told Americans that it was amermaid.)

But there is another obvious source for the dragon myth:the bones of dinosaurs and extinct mammals. Bones exposedby storms, earthquakes or digging were well known to theancients, said Dr. Adrienne Mayor, a professor of folkloreat Princeton and the author of "The First Fossil Hunters"(Princeton, 2000). She argues that the myth ofgold-guarding griffins arose in the red clay of the GobiDesert, a landscape literally scattered with whiteProtoceratops skulls, with parrot beaks and bony neckfrills.

Othenio Abel, an Austrian paleontologist, speculated asearly as 1914 that the central nasal holes in skulls ofprehistoric dwarf elephants were the source for Homer'sCyclops. Abel added that the skulls of cave bears - ursusspelaeus, half again as big as grizzlies - could have givenrise to tales of dragons.

Medieval Europe is "full of stories of knights fightingdragons in caves," Dr. Mayor said.
Some extinct mammals have startlingly dragonlike skulls,and Asian dragon myths may be based on Pleistocene andCretaceous fossils, which were at one time universallyknown as "dragon bones," Dr. Mayor added.

Sivatherium giganteum, a huge proto-giraffe, has a pointedthree-foot-long skull, and another, Giraffokeryx, has fourswept-back horns.

Mount Pilatus in Switzerland abounds in pterodactylfossils, and with stories of fights between men anddragonets - small, scrawny winged dragons.

The head of a dragon sculptured in 1590 by Ulrich Vogelsangfor the city of Klagenfurt, Austria, was modeled on a"dragon skull" found by quarrymen in 1335. It is now knownto be that of an Ice Age woolly rhinoceros.

Paleontologists can even account for the legend thatdragons have jewels in their foreheads. Big calcitecrystals form on long-buried skulls.

So, having found the bones of dragons, Enlightenmentthinkers were at pains to explain them.

For medieval Christian thinkers, the explanation wassimple: God had formed them whole, but let them be wipedout in Noah's flood.

But for pre-Darwinians who realized that many creatures toobig to be overlooked were nowhere in the story of Creationand who were gleaning some inkling that species begat otherspecies, it was trickier.

Dragons were clearly a hybrid, part snake, part bird andpart bat. In the 17th century, they were explained by thenewly popular "spermatick principle," which held that semenformed creatures and that the egg was a mere food source.Sometimes, scholars surmised, sperm from different speciescould mix and make a monster.

Mr. Lhwyd of the Oxford museum argued that semen from fishand snakes could rise high into the air with evaporation,rain down again and end up in the high aeries of eagles andvultures. In a lucky process called "fermentationalputrefaction," the mix could produce a winged snake.

Of course, there are living reptiles that could haveinspired dragon myths. Ten-foot carnivorous lizards prowlKomodo island in Indonesia, But Western explorers did notdiscover them until 1912, and there is no evidence theywere known to the ancients.

Marco Polo's "factual" descriptions of Chinese dragons moreor less match the large crocodiles once found there. Nilecrocodiles, which can grow 22 feet long, still prey onrural Africans while their overseas relatives eat two orthree Americans and Australians a year.

But David Quammen, an independent scholar writing a bookabout the relationship between indigenous peoples and theirpredators, points out that although draconian crocodilesappear in the mythology of Australian aborigines, dragonsare just as common in the myths of Vikings, who might havebeen eaten by bears, but never by crocs. And dragon lore israre in Africa, where crocs are common, but predator mythsrevolve more around lions and hyenas.

http://www.nytimes.com/2003/04/29/science/29DRAG.html?ex=1052581506&ei=1&en=6d75e5906132f903

Tuesday, August 02, 2005

The 36 Strategies: #1, Fool the Emperor to Cross the Sea


Next to Sun Tzu's the Art of War, the 36 Stratgies is probably the most famous Chinese strategy book. The 36 strategies are fundamentally what many manuevers boil down to. It pays for someone even casually interested in the topic of strategy to be familiar with them, if only to recognise when someone is trying to use one of these strategies on you.

The first one in the book is: Fool the Emperor to Cross the Sea. The folk story whence this stategy comes is that of an incident concerning the Tang Dynasty Emperor Tai Zong. The emperor was campaigning against the Koreans. His general advised him to cross the Yellow Sea to the Korean Peninsula, to suprise the Koreans behind their lines.

The problem was that the emperor was afraid of large bodies of water. The general had a large ship decorated as a country estate and had banners hung all around so that you could not see the ocean.

They told the emperor that a local aristocrat invited him to dine at his estate. Once aboartd, the emperor dined and was entertained all night. In the meantime, the ship quietly set sail.

The next morning, they arrived at their destination, with the Emperor none the wiser.

A more modern interpretation might be: Sneak across an ocean in broad daylight

This means to create a front that eventually becomes imbued with an atmosphere or impression of familiarity, within which the strategist may maneuver unseen while all eyes are trained to see obvious familiarities.

Monday, August 01, 2005

Who needs fiction?

If you click on the title of this post, you'll be directed to www.hanzismatter.com. Check out the August 1 entry. "Hand warmer, air conditioner" indeed. Once again, someone has something stupid permanently drawn on their body.

Just to balance things out, you might want to also check out http://www.engrish.com

Wild Geese


It is said of the wild goose that it calls to its comrades whenever it finds food; this is the symbol of peace and concord in good fortune. A man does not want to keep his luck for himself only, but is ready to share it with others. -- I Ching [Wilhelm/Baynes]

The goose is in China a symbol of married bliss. So a goose makes a very suitable engagement present. This is a very old custom, varied on occasion by an exchange -- the bridegroom's family sends a gander, the bride's family reciprocates by sending back a goose. Neither of these ever end up on the table. -- A Dictionary of Chinese Symbols [Eberhard/Campbell]

The path rises high toward heaven, like the flight of wild geese when they have left the earth far behind. There they fly. . . . And if their feathers fall, they can serve as ornaments in the sacred dance pantomimes performed in the temples. -- I Ching [Wilhelm/Baynes]

Wild geese are represented as flying in pairs, and so a picture of wild geese makes a good wedding present. -- A Dictionary of Chinese Symbols [Eberhard/Campbell]