Here at the frontier, the leaves fall like rain. Although my neighbors are all barbarians, and you, you are a thousand miles away, there are still two cups at my table.


Ten thousand flowers in spring, the moon in autumn, a cool breeze in summer, snow in winter. If your mind isn't clouded by unnecessary things, this is the best season of your life.

~ Wu-men ~


Monday, June 08, 2026

Two Different Ways of Teaching the Art


There was an interest post at Applied Methods regarding the teaching karate formally in a school, and also outside of a commercial school. An excerpt is below. The full post may be read here.

When I first arrived in the United States, I was struck by the sheer scale of the martial arts landscape. Coming from the UK, my formative years of training and teaching were spent in the tradition of the rented hall instructor. We packed our gear into the boots of our cars and drove to drafty church halls, local sports centers, and sometimes schools. We set up, we trained, we packed up, and we went home. A permanent, dedicated facility was a rare luxury.

When I eventually became part of a storefront dojo here in the US, it felt like a significant milestone. In a culture that often values a commercial footprint as a visible marker of achievement, having a permanent mat and a sign on the window felt like validation that I had finally “arrived”.

A few years later, the disruption of the COVID-19 pandemic forced a total re-evaluation. Like many instructors, the financial realities of that period eventually led me to close our doors. Today, my teaching happens on a much smaller scale - with a number of dedicated students training in a home garden dojo.

It is easy to view a shift like that through a negative lens. When you look around and see thriving commercial schools on every other street corner, modern metrics can quietly trick us into measuring our worth as educators by square footage, student rosters, and profit margins.

But as the dust settled, I began to see the transition differently. Losing the storefront did not diminish the transmission of the art. If anything, it returned the training to something closer to its historical roots.

 

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