Black Arrow blog, which is about Kyudo. The post is about the use of imagery in kyudo training. This sort of thing is prevalent in Yiquan and related arts. I think we could all benefit.
The full post may be read here.
They are the signs that point us to elevated technique.
They are the way we communicate with invisible theories.
They are what ignite our imaginations, bringing our kyudo practice to life.
More than I have experienced in any other martial art, image training
plays a major role in the practice of kyudo. It is how teachers and
students communicate together. Just explaining technique and the
movements of the body can easily become dry and difficult to perceive.
Instead of such explanations, images are used as powerful ways of
communication that allow us to easily cut corners.
Often using images
allows us to play with techniques we haven’t even learned yet.
For example, when first learning the bow a teacher will probably tell
you push the bow and string apart instead of pulling. By doing this we
will naturally start using the structure of our bodies, our bones, our
elbows, and our legs … using our bodies as a whole to push the bow and
string apart, instead of just pulling the bow and string apart with the
strength of our hands. By doing this we are utilizing a lot of different
and difficult separate techniques, but without even explaining them.
All we need is one compact phrase, an image.
It really is magic, isn’t it?
This is the difficult, and yet at the same time easy part about kyudo.
We have all these seemingly disparate techniques that feel unnatural,
requiring a lot of training to engrain subconsciously into our bodies,
and yet most of these techniques can be instantaneously conquered by the
use of images.
But more than just overcoming technique, it’s fun.
And it’s Freedom!
We can use whatever image we like with our kyudo. Our images affect
how we feel in our practice, and translate to what we do. Nobody’s set
of images will be the same as another. Even if we use the same images,
for example, pushing the bow instead of pulling, all of us will see and
feel this differently. So how we practice kyudo will be completely
different from everybody else, even though it seems like we’re all doing
the same thing. This is our expression. This is what makes kyudo an
This is what puts the art in “martial arts”.
Images are effective ways of communicating various small seemingly
disparate techniques in simple compact phrases, and they are also super
For one more example, I’ll leave you with what may be the king of all kyudo imagery:
The line of the arrow.
Often times when I feel all is lost, all my teacher needs to say is “Focus on the yasuji,” and most everything fixes itself.
There are a myriad of ways one can interpret this, but for me it is
the line of the arrow extending to infinity in each direction.
Where this image helps me most is in the kai (full draw). In the kai it looks like we are just standing there waiting to release, but what we’re really doing is utilizing nobiai
and expanding from the center line in our chest equally and infinitely
to the left and right. We must release amid that expansion outwards to
the left and the right. However, often times I will find myself stopped
in the middle of the full draw, not exending, dead, waiting for a
release which I will forge using the strength of my hands. By focusing
on the line of the arrow extending in both directions, our shoulders and
elbows and left thumb mimic the arrow and extend in both directions.
Continuing to focus on the line of the arrow will allow us to “follow
through” the release, extending along the line of the arrow. The arrow
has no choice but to fly straight into the target.
I can’t even imagine how many small techniques are used with various
parts of our body to make a proper release in kyudo, but they can all be
instantly mastered by focusing on one simple thing:
the line of the arrow.