Learn, Diverge, Forget

There is a saying in Japanese martial arts, Shu Ha Ri. It has to do with the learning process. Below in an excerpt from an excellent article. Click here to read the whole article.


“Shu-ha-ri” literally means embracing the kata, diverging from the kata and discarding the kata. The pursuit of training in a classical Japanese endeavor almost always follows this educational process. This unique approach to learning has existed for centuries in Japan and has been instrumental in the survival of many older Japanese knowledge traditions. These include such diverse pursuits as martial arts, flower arranging, puppetry, theater, poetry, painting, sculpture and weaving. As successful as shu-ha-ri has been into the modern era, new approaches to teaching and learning are altering this traditional Japanese method of knowledge transmission. Whether traditional Japanese arts and endeavors are successfully passed to the next generation of practitioners is up to the sensei (teachers) of today and their wisdom in confronting the inherent strengths and pitfalls of shu-ha-ri. In this essay I will focus on shu-ha-ri and its unique application in the honorable martial discipline of Takamura-ha Shindo Yoshin-ryu jujutsu.

Thunderstorm in Africa

If you've got six minute, listen and watch this outstanding performance. Turn up the volume at the beginning to hear the rainstorm.

Yoshinkan Aikido Videos

Sensei Strange over at KyuRyu AikiBudo has been coming up with good video after good video. I thought I should do my part as well.

Yoshinkan Aikido has been criticized as being stiff and rigid. I disagree. This is an artifact of the teaching method, not of the art itself. The same criticism has been leveled at those who practice the Wu Taijiquan square form. It's a teaching method, not the art.

At one time I studied Yoshinkan Aikido under Takashi Kushida Sensei. I can't find any videos of Kushida Sensei, other than a couple of very short ones of him demonstrating very basic techniques on his organization's website.

Here are a couple of videoes of Joe Thambu Sensei, a very capable Yoshinkan Aikido teacher:





Stiff and robotic? I think not. How about razor sharp?

Another notable name associated with Yoshinkan Aikido is Toshishiro Obata. Like Kushida Sensei, he was an uchideschi to Yoshinkan founder Gozo Shioda. He also was a Kenshuu student (Kenshuu is an advanced training course) under Kushida Sensei. Obata's current martial arts practice has moved his aikido closer to Daito Ryu Aikijujutsu, and places a lot of emphasis on sword practice.



I hoped you enjoyed the videos as much as I enjoyed finding them.

I've been tagged

Ok. This is all of the fault of Striking Thoughts. I was sitting around, minding my own business when he tags me with this meme. Ok, here are the rules:

The meme works as follows. You post five things about yourself. Four are untrue. One is true. All are so outlandish, implausible or ridiculous that no one would be inclined to believe that any of them are true. And despite the pleas from your readers, you never divulge which is true and which are fabrications. You then tag five other people (four seriously and one person you are pretty sure would never participate).

Here are my five:

1. I dropped out of a Jesuit seminary.
2. My brothers used to put LSD in my formula when I was a baby.
3. I attended Miskatonic University.
4. I was the model in an award winning ad.
5. I am the High Druid of the local chapter of the 1759 Society.

The five lucky victims who are hereby tagged are: Zen, Rick, Wujimon, Shang Lee, and Brad.

Violence

Below is an excerpt from an article by Nick Lowry, a senior martial artist regarding something which is at the heart of a martial art, violence. It's a thought provoking article and well worth reading. The whole article may be read here.

“Meditations on Violence” by Nick Lowry

Some starting points: How do we hold the realities of violence? How do we interact with the suffering and trauma of violence? How do we transform and heal in the face of violence? What do dojos and budo (martial arts) have to do with all this?

We are all touched by violence. No one comes through the door of a dojo who has not been marked by this fact. Some are victims, others are victimizers. Some want relief from fear, others want to gain more power and control over their world in the face of chaos. Some dream of becoming a hero, wielding power like a weapon and doing violence for “good and just” purposes; vanquishing evildoers for the greater cause. Others just enjoy the paradoxical dance, the dance that turns so beautifully on the edge of something so ugly— the dance that somehow, transcends.

Excellent Posts on Taijiquan Theory

Over at the Wujiquan blog, Josh has had a string of excellent posts on Taijiquan theory. If you're interested in Taijiquan, they're well worth checking out. The ones I'm referring to are dated August 18th and older.

Yoshinkan Aikido Interview

Below is an excerpt from an interview with one of the most senior Yoshinkan Aikido instructors in North America, Yukio Utada. The rest of the interview may be read here.

What has kept you going for more than 36 years?

Aikido has appealed to me on many levels. Initially, there was a fascination with the physical. In judo I had found that size and strength difference could often frustrate my ability to throw an opponent. But, with aikido I found the ability to generate great force and throw an opponent with little effort. Refining this ability over the years has never diminished my respect for its subtlety and power or curiosity over the principle that makes it work.

Philosophically speaking, I found the harmonizing concept of aikido fascinating.

Culturally as well, the study of aikido exposed me to some of the finer aspects of Japanese culture and not only gave me greater appreciation for my roots but a method to share with others that which made Japanese culture special. I have witnessed numerous differences between American and Japanese cultures, I am proud to introduce budo to Americans, not as a Japanese but as a human being who can bridge these two great countries. In order to promote an atmosphere of Zen ( good will/ virtue) one has to be a person of virtue. It is easier said then done. But, to me striving to become a person of virtue is thoroughly worthwhile and goes hand in glove with aikido training, and you can do it even when your joints are sore! (Laughing)

The 36 Strategies: #31 Scheme with Beauties

Next to Sun Tzu's Art of War, the 36 Strategies is the most widely known book on strategy in Asia. Were the Art of War is a methodical overview of the topic, the 36 Strategies attempts to teach the habit of strategic thinking by way of 36 maxims, divided into 6 groups of 6 maxims.

Strategy is important to learn, if only for the defensive aspect; recognizing when someone is trying to hatch a strategy that will not be to your benefit.

Here is a link to an online version of the 36 Strategies.

Strategies 1 though 6: Strategies when commanding superiority
Strategies 7 through 12: Strategies for confrontation
Strategies 13 through 18: Strategies for attack
Strategies 19 through 24: Strategies for confused situations
Strategies 25 through 30: Strategies for gaining ground
Strategies 31 through 36: Strategies for desparate straits.

Strategy #31: Scheme with Beauties. It hardly needs any explanation, does it? I think it would probably work as well with either sex.

Here's a story off the top of my head. During the Olympics in China, a British diplomat found himself to be the object of attention of a beautiful Chinese woman. After drinking way too much, they spent the night together. When he awoke, she was gone ... and so was his Blackberry, which contained a lot of sensitive information.

There is a story from The Romance of the Three Kingdoms., about one of the Four Beauties of Ancient China, one Diao Chan.

According to the novel, Romance of the Three Kingdoms, Diao Chan assisted the official Wang Yun in a plot to persuade the warrior Lü Bu to kill his adopted father, the tyrannical warlord Dong Zhuo. She did this by becoming Dong Zhuo's concubine but also Lü Bu's betrothed, then manipulating the two through their jealousy and her charm. Dong Zhuo's tactician, Li Ru, saw that the dancing girl was driving both the lord and the warrior mad, so he proposed that Dong Zhuo give Diao Chan to Lü Bu instead of fighting over her. Upon hearing this he threatened Li Ru with death and stated that no warrior was worth what Diao Chan was to him. Diao Chan had Lü Bu wrapped around her finger.

She told him that being with Dong Zhuo made her unhappy and wished to only be with him. Lü Bu was outraged and went to Wang Yun to plot Dong Zhuo's death. Lü Bu had to escape shortly after killing Dong Zhuo and he lost a battle to Dong Zhuo's generals. He did, however, meet up with Diao Chan once more. Diao Chan followed Lü Bu during his time as a rogue leader until he took Cao Cao's castle of Puyang. Together they were married and traveled the land until Lü Bu was later killed when Cao Cao's forces overran his base at Xiapi. There is no mention of Diao Chan in the novel after this.

The Golden Dragon Massacre, 1977

In 1977, San Francisco's Chinatown experienced the most public expression of gangland violence, the infamous Golden Dragon Massacre. Follow the link to read the whole eBook, Bamboo Tigers. A portion is excerpted below ...

...

A few feet away, the gang members seated on the lower level lived up to their Chinatown nickname of fei jai--"flying youth." Common sense told them they could easily be the gunman's intended targets. They had enemies from one end of Chinatown to the other. As one man, they crashdived to the floor and cowered in fear behind cover of a table.

They were the lucky ones. Seasoned gangsters, they immediately understood when the first shots were fired that the Golden Dragon had become a combat zone.

A woman screamed. The shooter at the front of the restaurant went trigger-crazy. His automatic barked as he peppered the startled crowd with bullets. It sounded like strings of firecrackers exploding.

The waiter making his way through the crowd with the tray of duck noodles for the table beside the dragon pillar heard what he thought was firecrackers go off above the din of voices and the clatter of plates. In that instant he had his eyes on his waiter friend the violinist, who was taking an order near the table of a prominent Chinatown artist who sat beside the low wall of the upper level.

The violinist toppled forward, a spray of blood spurting from his neck. The horrified waiter froze, his tray in mid-air, and turned his eyes to the main doors. In a haze of numbing horror, he saw two figures bearing long weapons sprinting toward the stairs to the upper level. Their movements seemed unreal. He felt himself coldly suspended in disbelief as if he were ice in water.

Detached from reality, he swayed with his perilously balanced tray in a sea of humanity suddenly set in motion by unreasoning fear. People swept around him, their screams dashing against a huge crimson screen along the back wall like waves pounding against rocks.

At the front of the restaurant, the waiter saw a third figure with a gun, bursts of flame spouting from the barrel. In this moment of madness, he imagined the flames to be the fiery breath of the golden dragon escaping from the hell of its crucifixion on the pillar to soar around the room in a wide arc of death-dealing destruction.