The Chinese martial art Taijiquan, when properly understood, is a martial art like no other. Its fundamental principle contradicts all our natural intuitions. Our natural intuitions about physical power in fighting have been well stated in the Classic Writings of Taijiquan:
There are many fighting arts. Although they take different forms, they generally don't go beyond the strong dominating the weak, and the slow losing to the swift. But strength and speed are natural physical endowments, not the result of superior understanding. As for strength, it’s been said that "Four ounces can neutralize a thousand pounds" ? so physical force may not be the ultimate trump card. And when we hear of an old man defeating a gang of youngsters, can we honestly conclude that this is due to speedy reflexes?
My Taijiquan is in the lineage of Professor Zheng Manqing (1902 -
1975), as transmitted by Benjamin Lo of San Francisco. This style is
based on the Asian theory that a semi-physical or
non-physical power lies dormant in the human body and mind. Through
centuries of conflict, this power has been harnessed, refined,
amplified, and deployed for self-defense and martial arts.
Nowadays, because guns are widespread, the combative focus of
classical Taijiquan training is no longer paramount. The emphasis has
shifted to the enjoyable and fascinating inner experiences that
result from the cultivation and direct perception of this internal
force.
The most important requirement for Taijiquan training is relaxation.
You must never tense up or attempt to use muscular force, either in
solo practice or in handling a training partner or actual
adversary. That seems counter-intuitive. How can anything be done
without physical force? Taijiquan theory maintains that although a very
soft physical ‘nudge’ may be used as a kind of trigger,
the startling physical effects that a Taijiquan adept can
demonstrate do not result from ordinary physical power.
The power source can be compared to making popcorn. When the heat
from the fire reaches a certain level, it triggers an explosive movement
and sound from the popcorn kernel. However, the heat is
only the triggering agent. The pop is actually powered by the stored
chemical energy within the popcorn kernel itself. No matter how much
you heat a soybean, you won't get this result. So, your
partner’s body is actually being moved by his or her own inner
tension, which is merely triggered by your light push. So the first work
of Taijiquan is mental ? to shed the lifelong automatic
association of power with physical force and muscles.
Taijiquan practice is based on a sequence of slow-motion postures.
The sequence is performed solo, like shadow-boxing. The posture work is
beyond the scope of this brief introductory article.
I’ll discuss instead the other primary training method of Taijiquan -
working with a partner in the Push Hands drill.
In the Push Hands drill, two partners face one another and each
attempts to unbalance the other with a light push or pull. It is
cooperative because we follow rules against striking, sweeping,
throwing, and kicking. Yet it is non-compliant because it has
‘aliveness’ ? we don’t play along for the sake of social pleasantry.
Only when our partner exploits genuine tension in our bodies
must we take a step to regain our balance. This keeps the practice
‘real enough’, so that something of value can be learned. It is akin to a
limited version of the traditional Japanese jujutsu
practice of kuzushi (崩し : collapsing, unbalancing, or taking down).
It sounds simple on the physical level, but this drill has some
interesting elements of the deeper Taijiquan philosophy. Foremost of
those is relaxation. Habitual tension carried in your body,
and/or any attempt to use crude muscular force can be easily
detected and nullified by a skilled partner. So you must avoid those two
faults, of inherent tension and use of force, no matter how
long it takes to shed them.
Furthermore, many Taijiquan traditions teach techniques for physical
manipulation of the partner’s body and joints, organized as a syllabus
of ‘attacks’ and ‘defenses’. My tradition, however,
does not employ techniques. That’s because there’s too much ground
to cover, as the range of possible moves and counter-moves is endless.
Instead, we work on the level of higher principle,
because if our energy is sensitive enough, it will alert us in time
to pre-empt and neutralize any kind of movement from our partner
‘Unbalancing’ the partner means forcing him or her to take one or
more steps to regain stability. It generally isn’t necessary to hurl the
partner several meters away, or to throw him hard
against a wall. It’s sufficient to use a soft touch to shake the
partner’s balance just enough to force a step out, or two. This keeps
the practice safe and fun, as well as allowing for
cultivation of a finely calibrated force that is under very rigorous
control.
Partner training is key for any martial art.
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