"When you learn this stuff, you try to get the essence of the tradition first, but then later modify your practice so it works for you. You still pass down the tradition because it is a good way of training, but after a certain amount of time, your practice must become your own."
I am a believer that once you learn something thoroughly, it YOURS. Not some organization or chief instructor; YOU. Further, as you advance in your mastery of
Mr. Charles James has studied, taught and practiced Isshin Ryu Karate for decades. He is the proprietor of some excellent blogs (Martial Arts Terms, Isshin Do, Karate Questions and Kenpo-Gokui). Please pay them a visit.
Mr. James has been kind enough to provide a guest post here, describing the evolution of his Karate Do. Enjoy.
My System,
My Way, My Isshinryu:
I have
practiced for about 36 years this art of Isshinryu, this gift we received from
a karate master by the name of Shimabuku Tatsuo Sensei. He allowed us, the
Marines, to study his system beginning in the late fifties. Sensei Don Nagle
was his first Marine of note to take on Isshinryu.
The goal of
the martial arts is to achieve a greater self. To take the gift of Tatsuo-san,
in the case of Isshinryu practitioners, and make it our own. I didn't come to
this realization to many years into my practice and it came to me as
inspiration. I am not advocating one move off the path Tatsuo-san provided but
rather one to allow it to speak to your spirit and the spirit in time would
then speak to you, the person, the individual making the system "your
own."
I remained
dedicated and diligent keeping the system I was taught by Sensei Warner Henry
intact as he learned it through the Nagle-san way of Isshinryu. In later years
as I began my spiritual journey in Isshinryu I sought out knowledge through the
ken-po goku-i. This short "Karate koan" inspired me first in its
interpretation through my personal perception in a "literal" way.
Progressing in my studies I came to "see," "hear," and
"feel" something unique.
I started
to see "connections" that were not apparent before this time in my
practice and training. The connections to terms and symbolism and meanings
through things like "Shin-gi-tai," "Shu-ha-ri," and
"Chinese-Japanese cultures" as they related to Okinawan cultures,
beliefs and perceptions, i.e. Tatsuo-san as the lead, the mentor, the master.
I suddenly
realized that staying strictly and doggedly attached to exactly what Tatsuo-san
gave us would be just the exact opposite of his intent for Isshinryu. I
connected the constant differences in Tatsuo-san's practice of kata as another
indication we should not remain dogmatic in our practice but to reach out
beyond the stars.
Consider
one literal point, most of the masters who created systems or styles at the
time were taking what they received as a gift from their Sensei and creating
their own, i.e. Isshinryu, Gokuryu and Shorinryu to name a few. I don't mean
that I must create a whole new system or style but still "make Isshinryu
my own."
This
influenced my view, perception, imagery and visualization of my practice and
training. I began to see things like bunkai in a light that matched my time, my
environment and my cultural belief systems. I began to "see and feel"
things that fit me as to my personality and ability, i.e. uniqueness of me. It
meant that I needed to change things in small ways to fit "me."
I also
realized that this did not affect Tatsuo-san's system as it is and should
remain for future generations. It is the blueprint and foundation that should
remain intact so that those who go after me or any Isshinryu Sensei can achieve
the same epiphany I did, make Isshinryu my own or your own or his/her own.
Teaching it and practicing it as your own if it comes at the time that is
natural to the individual makes it easy to carry forward in its dualistic form.
I realized
as I traveled this path that my original blueprint of Isshinryu was a "one
wholehearted system" as Tatsuo-san intended and like the Great Tai Chi the
"one" divided into the "two" or "yin-yang" of
Isshinryu. The yang being Tatsuo-san's Isshinryu and the yin being my
Isshinryu. The duality I carry today.
This
process is not easy and it takes many, many years of practice, training and
contemplation. It came about because I was very lucky to realize that it
involves not external persons, things or validations but rather an openness to
my "self" for self-reflection and as I traveled this new path
self-transmutation which lead to my transforming or morphing Isshinryu into my
own Isshinryu.
It was a
beginning of one wholehearted melding of mind, body and spirit through my
physical and spiritual training that led me to reach higher into my self and
allow for change. I realized that change is natural, instinctual and a part of
our very being as humans. The I Ching, as I was led to from study of the gokui,
speaks to generations to the "art of change." The changes must come
or we become stagnant and I have come to believe this is why many systems and
practitioners become lost and change out of the martial arts.
The journey
is long and I have reached the "HA" level of Shu-ha-ri but at the
very edge and expect that my efforts will continue for a long, long time. This
path led me to writing and other endeavors that also result from this effort.
I hope this
short meanderings has some success in conveying the how I traveled this path. I
don't have or do I expect that there is any particular steps or practice or
direction one must follow to achieve the realizations I have been provided but
hope that it inspires other to reach beyond the sky, the moon and the stars and
reach further out into the cosmos - it is there, waiting, expecting and hoping
to "see," "hear," and "feel" you.
In terms of IMA, the motion could be slightly different. It is the complete execution of the principles that counts. ... Do you know what are the universal principles of IMA
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